1. Illuminating Sleeplessness in Edith Wharton's The House of Mirth
  2. Hannah Huber
  3. pp. 1-22
  4. DOI: 10.1353/san.2016.0022
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  1. Oh Captain, My Captain: Dreiser and the Chaplain of Madison Square
  2. Thomas P. Riggio
  3. pp. 23-37
  4. DOI: 10.1353/san.2016.0023
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  1. Theodore Dreiser and the Modernists
  2. Kiyohiko Murayama
  3. pp. 38-55
  4. DOI: 10.1353/san.2016.0024
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  1. Naturalism's Children: Unruly Naturalism in Works by Darcy Steinke, Joyce Carol Oates, and Lynda Barry
  2. Mary E. Papke
  3. pp. 56-70
  4. DOI: 10.1353/san.2016.0025
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  1. Approaches to Teaching the Works of Jack London ed. by Kenneth K. Brandt and Jeanne Campbell Reesman (review)
  2. John Hay
  3. pp. 71-75
  4. DOI: 10.1353/san.2016.0026
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  1. Bitter Tastes: Literary Naturalism and Early Cinema in American Women's Writing by Donna M. Campbell (review)
  2. Linda Kornasky
  3. pp. 75-78
  4. DOI: 10.1353/san.2016.0027
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  1. Counternarrative Possibilities: Virgin Land, Homeland, and Cormac McCarthy's Westerns by James Dorson (review)
  2. Steven Frye
  3. pp. 78-81
  4. DOI: 10.1353/san.2016.0028
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  1. Edith Wharton and Cosmopolitanism, ed. by Meredith L. Goldsmith and Emily J. Orlando (review)
  2. Sheila Liming
  3. pp. 81-84
  4. DOI: 10.1353/san.2016.0029
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  1. Literature and Photography in Transition, 1850–1915 by Owen Clayton (review)
  2. Paul Baggett
  3. pp. 84-88
  4. DOI: 10.1353/san.2016.0030
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  1. Constance Fenimore Woolson: Portrait of a Lady Novelist by Anne Boyd Rioux (review)
  2. Donna M. Campbell
  3. pp. 88-91
  4. DOI: 10.1353/san.2016.0031
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