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Table of Contents

  1. Errata
  3. p. 8
  4. DOI: https://doi.org/10.1353/eir.2017.0000
  5. restricted access
  1. History Repeating Itself: Men, Masculinities, and "His Story" in the Fiction of Micheál Ó Conghaile
  2. Sorcha de Brún
  3. pp. 17-48
  4. DOI: https://doi.org/10.1353/eir.2017.0002
  5. restricted access
  1. The Re-education of Ross O'Carroll-Kelly
  2. Adam Kelly
  3. pp. 49-77
  4. DOI: https://doi.org/10.1353/eir.2017.0003
  5. restricted access
  1. The Railroad Reverie in Contemporary Irish Poetry*
  2. Lucy McDiarmid
  3. pp. 78-100
  4. DOI: https://doi.org/10.1353/eir.2017.0004
  5. restricted access
  1. Political Transformation in Ireland: Boom, Bust, and Beyond*
  2. Theresa Reidy, Timothy J. White
  3. pp. 101-123
  4. DOI: https://doi.org/10.1353/eir.2017.0005
  5. restricted access
  1. The Parts: Dublin Suburbs and Situating the Contemporary
  2. Michael Cronin
  3. pp. 124-143
  4. DOI: https://doi.org/10.1353/eir.2017.0006
  5. restricted access
  1. "This Place … So Vividly, So Violently, So Murderously Alive": Emigration in John Banville's Benjamin Black Novels
  2. Kersti Tarien Powell
  3. pp. 144-168
  4. DOI: https://doi.org/10.1353/eir.2017.0007
  5. restricted access
  1. Contemporary Irish Film: From the National to the Transnational
  2. Tony Tracy, Roddy Flynn
  3. pp. 169-197
  4. DOI: https://doi.org/10.1353/eir.2017.0008
  5. restricted access
  1. Re-reading the Ryan Report: Witnessing via and Close and Distant Reading
  2. Emilie Pine, Susan Leavy, Mark T. Keane
  3. pp. 198-215
  4. DOI: https://doi.org/10.1353/eir.2017.0009
  5. restricted access
  1. "Reversing the Cinematograph?": Yeats, Autobiography, and the Medium of Film*
  2. Lance Pettitt
  3. pp. 216-243
  4. DOI: https://doi.org/10.1353/eir.2017.0010
  5. restricted access
  1. Writing the Contemporary Encounter in the Museum: Dorothy Cross and Trove at the Irish Museum of Modern Art, 2014–15*
  2. Niamh NicGhabhann
  3. pp. 244-268
  4. DOI: https://doi.org/10.1353/eir.2017.0011
  5. restricted access
  1. Irish History Online and in Real Time: Century Ireland and the Decade of Centenaries
  2. Mike Cronin
  3. pp. 269-284
  4. DOI: https://doi.org/10.1353/eir.2017.0012
  5. restricted access
  1. Come Here to Me! Blogging the Stories of Dublin in the Digital Age
  2. Donal Fallon
  3. pp. 285-302
  4. DOI: https://doi.org/10.1353/eir.2017.0013
  5. restricted access
  1. Inspiring Ireland: Building Digital History, Making Shared Memory
  2. Caroline McGee, Natalie Harrower
  3. pp. 303-320
  4. DOI: https://doi.org/10.1353/eir.2017.0014
  5. restricted access
  1. Irish Poetry Publishing Online
  2. Kenneth Keating
  3. pp. 321-336
  4. DOI: https://doi.org/10.1353/eir.2017.0015
  5. restricted access
  1. Pitch & Putt: The VIDA Survey of Gender Parity in Literary Periodicals
  2. Fiona O'Connor
  3. pp. 337-353
  4. DOI: https://doi.org/10.1353/eir.2017.0016
  5. restricted access
  1. "Writers in Search of a Market": An Interview with Micheál Ó Conghaile, Founder and Director of Cló Iar-Chonnacht
  2. Máirín Nic Eoin
  3. pp. 354-371
  4. DOI: https://doi.org/10.1353/eir.2017.0017
  5. restricted access
  1. "Publish Little, but Publish Well": An Interview with the Founders of Tramp Press
  2. Paige Reynolds
  3. pp. 372-390
  4. DOI: https://doi.org/10.1353/eir.2017.0018
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  1. Introduction: Ireland and the Contemporary
  2. Margaret Kelleher, Nicholas M. Wolf
  3. pp. 9-16
  4. DOI: https://doi.org/10.1353/eir.2017.0001
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  1. Contributors
  3. pp. 391-397
  4. DOI: https://doi.org/10.1353/eir.2017.0019
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