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In this Issue

Table of Contents

  1. From the Editor
  2. Kathy Foley
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/atj.2017.0022
  5. restricted access

Translations

  1. Borrowing the Fan: An Example of Actable Plays (Zhezixi) for the Kunqu Stage
  2. Dongshin Chang
  3. pp. 259-283
  4. DOI: https://doi.org/10.1353/atj.2017.0023
  5. restricted access
  1. A Monk and a Nun Commit a Sin Together: Feng Weimin's Play and Its Three Transformations
  2. Antonio Leggieri
  3. pp. 284-321
  4. DOI: https://doi.org/10.1353/atj.2017.0024
  5. restricted access

Articles

  1. Identity Politics in Okinawan Kumiodori: Mekarushi and Hana no Maboroshi (Vision of Flowers)
  2. Ruth Forsythe
  3. pp. 322-346
  4. DOI: https://doi.org/10.1353/atj.2017.0025
  5. restricted access
  1. Drenched in Victory, Facing Drought: Staging Transitions in Myanmar's Performing Arts
  2. Catherine Diamond
  3. pp. 347-371
  4. DOI: https://doi.org/10.1353/atj.2017.0026
  5. restricted access
  1. Ritual Liminality and Frame: What Did Barbosa See When He Saw the Theyyam?
  2. Filipe Pereira
  3. pp. 375-396
  4. DOI: https://doi.org/10.1353/atj.2017.0028
  5. restricted access
  1. The Hall of Superabundant Blessings: Toward an Architecture of Chinese Ancestral-Temple Theatre
  2. Xiaohuan Zhao
  3. pp. 397-415
  4. DOI: https://doi.org/10.1353/atj.2017.0029
  5. restricted access
  1. Zhang Huoding: A Popular Jingju Star with Young Chinese
  2. Qinghuan Huang
  3. pp. 416-434
  4. DOI: https://doi.org/10.1353/atj.2017.0030
  5. restricted access

Emerging Scholar

  1. Lee Hyon-u's Hamlet Q1 and Pedagogical Performance on the Korean Stage: Textual Identity in Intercultural Theatre
  2. Yi-Hsin Hsu
  3. pp. 435-454
  4. DOI: https://doi.org/10.1353/atj.2017.0031
  5. restricted access

Report

  1. Dynamics of Jaipongan on West Java from 1980 to 2010
  2. Een Herdiani
  3. pp. 455-473
  4. DOI: https://doi.org/10.1353/atj.2017.0032
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Performance Reviews

  1. Time's Journey Through a Room dir. by Okada Toshiki/chelfitsch (review)
  2. Avra Sidiropoulou
  3. pp. 474-479
  4. DOI: https://doi.org/10.1353/atj.2017.0033
  5. restricted access
  1. Xiangsi Nostalgia dir. by Lee Hsiao-Ping (review)
  2. Iris Tuan
  3. pp. 479-482
  4. DOI: https://doi.org/10.1353/atj.2017.0034
  5. restricted access

Book Reviews

Transregional

  1. Routledge Handbook Of Asian Theatre ed. by Siyuan Liu (review)
  2. Linda Ehrlich
  3. pp. 483-486
  4. DOI: https://doi.org/10.1353/atj.2017.0035
  5. restricted access

India

  1. The Royal Temple Theater of Krishnattam by Martha Bush Ashton-Sikora et al. (review)
  2. Arya Madhavan
  3. pp. 486-488
  4. DOI: https://doi.org/10.1353/atj.2017.0036
  5. restricted access

Indonesia

  1. Inventing The Performing Arts: Modernity and Tradition in Colonial Indonesia by Matthew Isaac Cohen (review)
  2. Kathy Foley
  3. pp. 488-491
  4. DOI: https://doi.org/10.1353/atj.2017.0037
  5. restricted access
  1. Women in The Shadows: Gender, Puppets, and The Power of Tradition in Bali by Jennifer Goodlander (review)
  2. Kristina Tannenbaum
  3. pp. 491-492
  4. DOI: https://doi.org/10.1353/atj.2017.0038
  5. restricted access

Japan

  1. Contemporary Japanese Women's Theatre and Visual Arts: Performing Girls' Aesthetics by Nobuko Anan (review)
  2. Yoshiko Fukushima
  3. pp. 493-496
  4. DOI: https://doi.org/10.1353/atj.2017.0039
  5. restricted access

Philippines

  1. Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson (review)
  2. Sir Anril Pineda Tiatco
  3. pp. 506-509
  4. DOI: https://doi.org/10.1353/atj.2017.0042
  5. restricted access

  1. Books Received
  2. pp. 510-512
  3. DOI: https://doi.org/10.1353/atj.2017.0043
  4. restricted access
  1. Color Insert
  2. pp. Color Insert 1-Color Insert 3
  3. DOI: https://doi.org/10.1353/atj.2017.0027
  4. restricted access