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From: Leonardo

Previous Issue


Arts, Humanities, and Complex Networks Reach Critical Threshold

Artist's Article

@Caltech: Art, Science and Technology, 1969–1971

General Article

Reactions to Imagery Generated Using Computational Aesthetic Measures

Dance Becoming Knowledge: Designing a Digital “Body”

Suggestions for a Parametric Typology of Dance

The Last Word Is: Imagination: A Study of the Spatial Aspects of Edgard Varèse’s Work, Part II: Visual Evidence

Historical Perspective

R. Buckminster Fuller, the Expo ’67 Pavilion and the Atoms for Peace Program

Holograms: The Story of a Word and Its Cultural Uses

Special Section

Arts, Humanities and Complex Networks

Modeling Structure and Content: Socio-Semantic Network Analysis of the Mahābhārata

Stylometric Networks and Fake Authorships

Visualizing and Analyzing Complex and Dynamic Networks of Flemish Tapestry Entrepreneurs (1640–1720)

Differential Hive Plots: Seeing Networks Change

Visualizing the Evolution of Programming Languages

Special Section

Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 3

Soybots: Mobile Micro-Gardens

Expressive Cartography, Boundary Objects and the Aesthetics of Public Visualization

Shanghai Metro Flow: Multiple Perspectives into a Subway System

Hearts and Minds: the Interrogations Project

Special Section

PhD in Art and Design

An Alternative Approach to Establishing a Studio Doctorate in Fine Art

Case Study: The Development and Evolution of the Creative Arts Practice-led PhD at the University of Melbourne, Victorian College of the Arts

Leonardo Abstracts Service—LABS

Top-Rated LABS Abstracts 2016

Other-Worlds: Encounters with the Visual Perception of Lungfishes through Science and Art

A Machine That Dreams an Artistic Enquiry Leading to an Integrative Theory and Computational Artwork

Bioart As a Space for Identity Conceptualization: Figuring the Human Body Under the Scope of Biotechnologies

Postgenomic Identity: Art and Biopolitics

Exploring the Cognitive Correlates of Artistic Practice Using a Parameterized Non-Photorealistic Toolkit

Un-Natural Histories: The Specimen As Site of Knowledge Production in Contemporary Art

Constructive Visualization: A Token-Based Paradigm Allowing to Assemble Dynamic Visual Representation for Nonexperts

Digital Debris of Internet Art: An Allegorical and Entropic Resistance to the Epistemology of Search

Affect and the Experimental Design of Domestic Products

Quality of Aesthetic Experience and Implicit Modulating Factors

The Strange Dance: 9 Evenings: Theatre & Engineering As Creative Collaboration

The Harmonic Pattern Function: A Mathematical Model Integrating Synthesis of Sound and Graphical Patterns

Listening Art: Making Sonic Artworks That Critique Listening

Vastal: The Vivoarts School for Transgenic Aesthetics, Ltd.

Leonardo Reviews


Imaging Extinction: The Cultural Meanings of Endangered Species by Ursula K. Heise

Rogue Archives: Digital Cultural Memory and Media Fandom by Abigail De Kosnik

The Ordinary Man of Cinema by Jean Louis Schefer

The Selected Letters of John Cage edited by Laura Kuhn

The Hidden Third by Basarab Nicolescu

The Apparently Marginal activities of Marcel Duchamp by Elena Filipovic

Mirror Affect: Seeing Self, Observing Others in Contemporary Art by Cristina Albu

The New Ecology: Rethinking a Science for the Anthropocene by Oswald J. Schmitz

The Participatory Condition in the Digital Age edited by Darin Barney, Gabriella Coleman, Christine Ross, Jonathan Sterne and Tamar Tembeck

The Ancient Origins of Consciousness: How the Brain Created Experience by Todd E. Feinberg and Jon M. Mallatt

The Perversity of Things: Hugo Gernsback on Media, Tinkering and Scientifiction edited by Grant Wythoff

Leonardo Reviews Online

The Network: Recaps and Announcements from the Leonardo Community


Cognitive Innovation and the Cognitive Turn