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Table of Contents

  1. What Makes a Film Greek: Inward Investment, Outward Aspirations, and the Case of Jules Dassin's Pote tin Kyriaki (Never on Sunday, 1960)
  2. Yannis Tzioumakis
  3. pp. 1-31
  4. DOI: https://doi.org/10.2979/filmhistory.29.2.01
  5. restricted access
  1. Slum Plays, Salvation Stories, and Crook Pictures: The Gangster Regeneration Cycle and the Prehistory of the Gangster Genre
  2. Nick Heffernan
  3. pp. 32-65
  4. DOI: https://doi.org/10.2979/filmhistory.29.2.02
  5. restricted access
  1. The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein's The Battleship Potemkin
  2. Dušan Radunović
  3. pp. 66-90
  4. restricted access
  1. Functional Colors: The Varied Applications of Complementary Hues
  2. Birk Weiberg
  3. pp. 91-107
  4. DOI: https://doi.org/10.2979/filmhistory.29.2.04
  5. restricted access
  1. The Asia Foundation's Motion-Picture Project and the Cultural Cold War in Asia
  2. Sangjoon Lee
  3. pp. 108-137
  4. DOI: https://doi.org/10.2979/filmhistory.29.2.05
  5. restricted access
  1. Remaking the B Film in 1940s Hollywood: Producers Releasing Corporation and the Poverty Row Programmer
  2. Maureen Rogers
  3. pp. 138-164
  4. DOI: https://doi.org/10.2979/filmhistory.29.2.06
  5. restricted access
  1. An Accident of Resistance in Nazi Germany: Oskar Kalbus's Three-Volume History of German Film (1935–37)
  2. Joel Westerdale
  3. pp. 165-190
  4. DOI: https://doi.org/10.2979/filmhistory.29.2.07
  5. restricted access
  1. Recent Books in Film History
  3. pp. 192-200
  4. restricted access