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Table of Contents

  1. Prologue
  2. Elizabeth R. Wright, G. Cory Duclos
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/boc.2017.0000
  5. restricted access
  1. "De mi muerte triste agüero": La sombra admonitoria en el teatro de lope de Vega
  2. Gonzalo Pontón
  3. pp. 11-23
  4. DOI: https://doi.org/10.1353/boc.2017.0001
  5. restricted access
  1. Hermafroditismo sociocultural: Tradición e innovación en La prueba de los ingenios de lope de Vega
  2. Marcella Salvi
  3. pp. 25-43
  4. DOI: https://doi.org/10.1353/boc.2017.0002
  5. restricted access
  1. Virués's Theater of the Grotesque: Interrogating La gran Semíramis from Roman Chronicle to the new York stage
  2. Christopher D. Gascón
  3. pp. 45-62
  4. DOI: https://doi.org/10.1353/boc.2017.0003
  5. restricted access
  1. Filiación celestinesca del personaje de la Farsa de la Costanza de Cristóbal de Castillejo
  2. Laura Mier Pérez
  3. pp. 63-72
  4. DOI: https://doi.org/10.1353/boc.2017.0004
  5. restricted access
  1. Santo Tomás de Aquino interpretado en las canciones de La araucana y Arauco domado de Lope de Vega
  2. María Quiroz Taub
  3. pp. 73-94
  4. DOI: https://doi.org/10.1353/boc.2017.0005
  5. restricted access
  1. Civic Responsibility or Directorial Prerogative: Ignacio García's Political Staging of Calderón's La cisma de Inglaterra
  2. Susan L. Fischer
  3. pp. 95-122
  4. DOI: https://doi.org/10.1353/boc.2017.0006
  5. restricted access
  1. Politics and Aesthetics in European Baroque and Classicist Tragedy ed. by Jan Bloemendal and Nigel Smith (review)
  2. Yolanda Rodríguez Pérez
  3. pp. 123-127
  4. DOI: https://doi.org/10.1353/boc.2017.0007
  5. restricted access
  1. La señora y la criada y El acaso y el error by Pedro Calderón de la Barca (review)
  2. Fernando Plata
  3. pp. 129-133
  4. DOI: https://doi.org/10.1353/boc.2017.0008
  5. restricted access
  1. A History of Theatre in Spain ed. by María M. Delgado and David T. Gies (review)
  2. Bárbara Mujica
  3. pp. 135-139
  4. DOI: https://doi.org/10.1353/boc.2017.0009
  5. restricted access
  1. La Guerra dels Segadors en comedias y en panfletos ibéricos. Una historia contada a dos voces (1640−1652) by Conxita Domènech (review)
  2. Xavier Torres
  3. pp. 141-144
  4. DOI: https://doi.org/10.1353/boc.2017.0010
  5. restricted access
  1. Selling Shakespeare: Biography, Bibliography, and the Book Trade by Adam G. Hooks (review)
  2. Gonzalo Pontón
  3. pp. 145-150
  4. DOI: https://doi.org/10.1353/boc.2017.0011
  5. restricted access
  1. Cognitive Approaches to Early Modern Spanish Literature ed. by Isabel Jaén and Julien Jacques Simon (review)
  2. Maria Willstedt
  3. pp. 151-154
  4. DOI: https://doi.org/10.1353/boc.2017.0012
  5. restricted access
  1. Segunda parte de comedias, vol. V. No puede ser, Santa Rosa del Perú, La fuerza del natural by Agustín Moreto (review)
  2. Esther Fernández
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/boc.2017.0013
  5. restricted access
  1. Shakespeare and Manuscript Drama: Canon, Collaboration and Text by James Purkis (review)
  2. Marco Presotto
  3. pp. 159-162
  4. DOI: https://doi.org/10.1353/boc.2017.0014
  5. restricted access
  1. Arte nuevo de hacer comedias by Lope deVega (review)
  2. Jonathan Thacker
  3. pp. 163-166
  4. DOI: https://doi.org/10.1353/boc.2017.0015
  5. restricted access
  1. Comedias Parte XIV by Lope de Vega (review)
  2. Fausta Antonucci
  3. pp. 167-171
  4. DOI: https://doi.org/10.1353/boc.2017.0016
  5. restricted access
  1. Women and Servants by Lope deVega (review)
  2. Edward Mclean Test
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/boc.2017.0017
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  1. Juliano Apóstata by Luis Vélez de Guevara (review)
  2. Javier Arce
  3. pp. 177-179
  4. DOI: https://doi.org/10.1353/boc.2017.0018
  5. restricted access
  1. 2016 International Siglo de Oro Drama Festival
  2. Anna-Lisa Halling, Valerie Hegstrom, Charles Patterson, Jared S. White, Erin Cowling
  3. pp. 181-191
  4. DOI: https://doi.org/10.1353/boc.2017.0019
  5. restricted access