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Table of Contents

  1. Mischief Makers
  2. Speer Morgan
  3. pp. 5-9
  4. DOI: https://doi.org/10.1353/mis.2017.0022
  5. restricted access
  1. The Cataclysm of My Mother’s Spine
  2. Jamison Rankin
  3. pp. 10-17
  4. DOI: https://doi.org/10.1353/mis.2017.0023
  5. restricted access
  1. The Witness
  2. May-lee Chai
  3. pp. 18-32
  4. DOI: https://doi.org/10.1353/mis.2017.0024
  5. restricted access
  1. Living Pictures: The Art of Staging in Contemporary Photography
  2. Kristine Somerville
  3. pp. 33-49
  4. DOI: https://doi.org/10.1353/mis.2017.0025
  5. restricted access
  1. A Good Breath
  2. Michael Byers
  3. pp. 50-62
  4. DOI: https://doi.org/10.1353/mis.2017.0026
  5. restricted access
  1. The Magic Show
  2. Elizabeth Lindsey Rogers
  3. pp. 70-89
  4. DOI: https://doi.org/10.1353/mis.2017.0028
  5. restricted access
  1. The Child Bride
  2. Jyotirmoyee Devi Sen, Apala G. Egan
  3. pp. 90-112
  4. DOI: https://doi.org/10.1353/mis.2017.0029
  5. restricted access
  1. No Shadow of Turning
  2. Megan Blankenship
  3. pp. 116-128
  4. DOI: https://doi.org/10.1353/mis.2017.0030
  5. restricted access
  1. Slow Motion, and: The Idle Ants, and: Trying to Sleep, and: The Sun That Reds, and: Laniakea
  2. Joyce Schmid
  3. pp. 129-133
  4. DOI: https://doi.org/10.1353/mis.2017.0031
  5. restricted access
  1. Hampstead Road
  2. M. G. Stephens
  3. pp. 134-147
  4. DOI: https://doi.org/10.1353/mis.2017.0032
  5. restricted access
  1. Norfolk
  2. Jane Gillette
  3. pp. 148-162
  4. DOI: https://doi.org/10.1353/mis.2017.0033
  5. restricted access
  1. Life Studies: Changing Ideas on Adolescence, Adulthood, and Aging
  2. Kristine Somerville
  3. pp. 169-180
  4. DOI: https://doi.org/10.1353/mis.2017.0035
  5. restricted access