1. The Mystery of the Schubert Song: The Linked Data Promise
  2. Kimmy Szeto
  3. pp. 9-23
  4. DOI: 10.1353/not.2017.0071
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  1. Barbarians at the Gates: Grove and World Percussion
  2. Timothy Sestrick
  3. pp. 24-35
  4. DOI: 10.1353/not.2017.0072
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  1. Mahler Reception in Forty Historic Editions: Significant Holdings in the Newberry Library, Chicago
  2. James L. Zychowicz
  3. pp. 36-59
  4. DOI: 10.1353/not.2017.0073
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  1. Notes for Notes
  2. pp. 60-64
  3. DOI: 10.1353/not.2017.0074
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  1. Sound the Trumpet, Beat the Drums: Horse-Mounted Bands of the U.S. Army, 1820–1940 By Bruce P. Gleason (review)
  2. Raoul F. Camus
  3. pp. 65-67
  4. DOI: 10.1353/not.2017.0076
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  1. Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq by J. Martin Daughtry (review)
  2. Sarah J. Dietsche
  3. pp. 67-69
  4. DOI: 10.1353/not.2017.0084
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  1. Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe by Kate van Orden (review)
  2. Samuel J. Brannon
  3. pp. 69-71
  4. DOI: 10.1353/not.2017.0083
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  1. The Singing of the Strasbourg Protestants, 1523–1541 by Daniel Trocmé-Latter (review)
  2. Kimberly Beck Hieb
  3. pp. 71-73
  4. DOI: 10.1353/not.2017.0092
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  1. A History of Western Choral Music by Chester L. Alwes (review)
  2. Anne Shelley
  3. pp. 73-76
  4. DOI: 10.1353/not.2017.0085
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  1. Opera Acts: Singers and Performance in the Late Nineteenth Century by Karen Henson (review)
  2. James P. Cassaro
  3. pp. 76-78
  4. DOI: 10.1353/not.2017.0086
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  1. Music and the Crises of the Modern Subject by Michael L. Klein (review)
  2. Steven D. Mathews
  3. pp. 78-81
  4. DOI: 10.1353/not.2017.0089
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  1. Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico by Petra R. Rivera-Rideau (review)
  2. Francisco D. Lara
  3. pp. 81-83
  4. DOI: 10.1353/not.2017.0093
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  1. Current Directions in Ecomusicology: Music, Culture, Nature eds. by Aaron S. Allen and Kevin Dawe (review)
  2. Jacob A. Cohen
  3. pp. 83-86
  4. DOI: 10.1353/not.2017.0088
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  1. Audible Empire: Music, Global Politics, Critique ed. by Ronald Radano and Tejumola Olaniyan (review)
  2. Ruth E. Rosenberg
  3. pp. 89-91
  4. DOI: 10.1353/not.2017.0082
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  1. From Scratch: Writings in Music Theory by Larry Polansky (review)
  2. Scott Gleason
  3. pp. 94-96
  4. DOI: 10.1353/not.2017.0075
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  1. Bach & God by Michael Marissen (review)
  2. Mark Peters
  3. pp. 99-100
  4. DOI: 10.1353/not.2017.0077
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  1. Beethoven's Symphonies: An Artistic Vision by Lewis Lockwood (review)
  2. Bryan Proksch
  3. pp. 100-102
  4. DOI: 10.1353/not.2017.0079
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  1. Anthems and Minstrel Shows: The Life and Times of Calixa Lavallée, 1842–1891 by Brian Christopher Thompson (review)
  2. Dominique Bourassa
  3. pp. 106-108
  4. DOI: 10.1353/not.2017.0091
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  1. The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck (review)
  2. Jeremy A. Smith
  3. pp. 108-111
  4. DOI: 10.1353/not.2017.0087
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 112-121
  4. DOI: 10.1353/not.2017.0094
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  1. New Periodicals
  2. Mallory Sajewski
  3. pp. 122-124
  4. DOI: 10.1353/not.2017.0095
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  1. Pirrhus ed. by Lisa Goode Crawford (review)
  2. Lois Rosow
  3. pp. 136-138
  4. DOI: 10.1353/not.2017.0099
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  1. I Puritani: Opera seria in tre atti ed. by Fabrizio Della Seta (review)
  2. Francesco Izzo
  3. pp. 139-144
  4. DOI: 10.1353/not.2017.0100
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  1. Communications
  2. Mark McKnight
  3. pp. 158-159
  4. DOI: 10.1353/not.2017.0102
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  1. Index to Advertisers
  2. p. 160
  3. DOI: 10.1353/not.2017.0103
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 148-157
  4. DOI: 10.1353/not.2017.0101
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