Volume 74, Number 1, September 2017

Table of Contents

Articles

The Mystery of the Schubert Song: The Linked Data Promise

pp. 9-23
|

Barbarians at the Gates: Grove and World Percussion

pp. 24-35
|

Mahler Reception in Forty Historic Editions: Significant Holdings in the Newberry Library, Chicago

pp. 36-59
|

Notes for Notes

pp. 60-64
|

Book Reviews

Sound the Trumpet, Beat the Drums: Horse-Mounted Bands of the U.S. Army, 1820–1940 By Bruce P. Gleason (review)

pp. 65-67
|

Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq by J. Martin Daughtry (review)

pp. 67-69
|

Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe by Kate van Orden (review)

pp. 69-71
|

The Singing of the Strasbourg Protestants, 1523–1541 by Daniel Trocmé-Latter (review)

pp. 71-73
|

A History of Western Choral Music by Chester L. Alwes (review)

pp. 73-76
|

Opera Acts: Singers and Performance in the Late Nineteenth Century by Karen Henson (review)

pp. 76-78
|

Music and the Crises of the Modern Subject by Michael L. Klein (review)

pp. 78-81
|

Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico by Petra R. Rivera-Rideau (review)

pp. 81-83
|

Current Directions in Ecomusicology: Music, Culture, Nature eds. by Aaron S. Allen and Kevin Dawe (review)

pp. 83-86
|

Living Stereo: Histories and Cultures of Multichannel Sound eds. by Paul Théberge, Kyle Devine, and Tom Everrett (review)

pp. 86-89
|

Audible Empire: Music, Global Politics, Critique ed. by Ronald Radano and Tejumola Olaniyan (review)

pp. 89-91
|

Henry Prunières (1886–1942): Un musicologue engagé dans la vie musicale de l'entre-deux guerres ed. by Myriam Chimènes, Florence Grétreau, and Catherine Massip (review)

pp. 91-94
|

From Scratch: Writings in Music Theory by Larry Polansky (review)

pp. 94-96
|

Haydn and His Contemporaries II. Selected Papers from the Fifth Biennial Conference of the Society for Eighteenth-Century Music at the College of Charleston in Charleston, SC, 13–15 April 2012 ed. by Kathryn L. Libin (review)

pp. 96-99
|

Bach & God by Michael Marissen (review)

pp. 99-100
|

Beethoven's Symphonies: An Artistic Vision by Lewis Lockwood (review)

pp. 100-102
|

Nouvelles lettres de Berlioz, de sa famille, de ses contemporains ed. by Peter Bloom, Joël-Marie Fauquet, Hugh J. Macdonald, and Cécile Reynaud (review)

pp. 102-106
|

Anthems and Minstrel Shows: The Life and Times of Calixa Lavallée, 1842–1891 by Brian Christopher Thompson (review)

pp. 106-108
|

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck (review)

pp. 108-111
|

Books Recently Published

pp. 112-121
|

New Periodicals

pp. 122-124
|

Music Reviews

Musicalischer Andacht Erster Theil (1638), HaWV 43–63; Sirachs Lob- vnd Danckspruch, Concert à otto & nove Voce (1634), HaWV 1; Hertzliche Auffmerckung und heiliger WeihnachtGruß (1639), HaWV 64. Herausgegeben von Michael Heinemann und Sven Rössel, unter Mitarbeit von Konstanze Kremtz, and: Chor-Music auff Madrigal-Manier: Fünffter Theil Musicalischer Andachten (1652/53), HaWV 439–469. Herausgegeben von Michael Heinemann, unter Mitarbeit von Konstanze Kremtz und Sven Rössel (review)

pp. 125-130
|

Premier Livre d'Orgue (1699), with references to the copies of J. S. Bach and J. G. Walther. Musical text eds. by Wayne Leupold and James David Christie (review)

pp. 131-136
|

Pirrhus ed. by Lisa Goode Crawford (review)

pp. 136-138
|

I Puritani: Opera seria in tre atti ed. by Fabrizio Della Seta (review)

pp. 139-144
|

Star Spangled Songbook: A History in Sheet Music of "The Star-Spangled Banner." eds. by Mark Clague and Andrew Kuster (review)

pp. 144-147
|

Music Received

pp. 148-157
|

Communications

pp. 158-159
|

Index to Advertisers

p. 160
|