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Table of Contents

  1. The Wrath of Priapus: Rémy Belleau's "Jean qui ne peult" and its Traditions
  2. Roger Kuin, Anne Lake Prescott
  3. pp. 1-17
  4. DOI: https://doi.org/10.1353/cls.2000.0003
  5. restricted access
  1. Historical Representation and the Scriptural Economy of Imperialism: Assia Djebar’s L’Amour, la fantasia and Cormac McCarthy’s Blood Meridian
  2. Adrian V. Fielder
  3. pp. 18-44
  4. DOI: https://doi.org/10.1353/cls.2000.0002
  5. restricted access
  1. Archeo-logies of Modernity in transition and Documents 1929/30
  2. Rainer Rumold
  3. pp. 45-67
  4. DOI: https://doi.org/10.1353/cls.2000.0005
  5. restricted access
  1. Opera in History: From Monteverdi to Cage (review)
  2. Vera Stegmann
  3. pp. 68-73
  4. DOI: https://doi.org/10.1353/cls.2000.0006
  5. restricted access
  1. A Star-Crossed Golden Age. Myth and the Spanish Comedia (review)
  2. María Cristina Quintero
  3. pp. 73-77
  4. DOI: https://doi.org/10.1353/cls.2000.0004
  5. restricted access
  1. The Distinction of Fiction (review)
  2. Craig S. Cravens
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/cls.2000.0001
  5. restricted access
  1. The View from the Tower. Origins of an Antimodernist Image (review)
  2. Joseph P. Strelka
  3. pp. 81-82
  4. DOI: https://doi.org/10.1353/cls.2000.0007
  5. restricted access
  1. Eugene Onegin. A Novel in Verse (review)
  2. Adrian Wanner
  3. pp. 83-86
  4. DOI: https://doi.org/10.1353/cls.2000.0008
  5. restricted access