1. Fidelity to Fact
  2. Anna Lena Phillips Bell
  3. pp. 5-7
  4. DOI: 10.1353/ect.2017.0000
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  1. Largeness and Light
  2. David Gessner
  3. pp. 9-10
  4. DOI: 10.1353/ect.2017.0001
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  1. Blood
  2. Halina Duraj
  3. pp. 13-29
  4. DOI: 10.1353/ect.2017.0002
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  1. Boys
  2. Chad Abushanab
  3. p. 30
  4. DOI: 10.1353/ect.2017.0003
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  1. The Descent
  2. Ron Rash
  3. pp. 31-38
  4. DOI: 10.1353/ect.2017.0004
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  1. Felonious States of Adjectival Excess Featuring Comparative and Superlative Forms
  2. A. H. Jerriod Avant
  3. p. 39
  4. DOI: 10.1353/ect.2017.0005
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  1. Metamorph
  2. Anya Groner
  3. pp. 40-50
  4. DOI: 10.1353/ect.2017.0006
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  1. Trail
  2. Heidi Lynn Staples
  3. p. 51
  4. DOI: 10.1353/ect.2017.0007
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  1. Doggamut: A Day with Susie and Brown
  2. Martha Park
  3. pp. 52-56
  4. DOI: 10.1353/ect.2017.0008
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  1. Marginalia
  2. Susan Blackwell Ramsey
  3. p. 57
  4. DOI: 10.1353/ect.2017.0009
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  1. Another Life Initiative
  2. Nick Fuller Googins
  3. pp. 58-73
  4. DOI: 10.1353/ect.2017.0010
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  1. Late Afternoon at the Junction Rodeo
  2. John Poch
  3. pp. 74-75
  4. DOI: 10.1353/ect.2017.0011
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  1. Required Reading: Kiki DeLancey's "A Good Six-Two"
  2. Yiyun Li
  3. pp. 76-78
  4. DOI: 10.1353/ect.2017.0012
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  1. A Good Six-Two
  2. Kiki Delancey
  3. pp. 79-90
  4. DOI: 10.1353/ect.2017.0013
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  1. Midwest
  2. Mary Cresswell
  3. p. 91
  4. DOI: 10.1353/ect.2017.0014
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  1. When Will the Leaves
  2. John Rybicki
  3. pp. 92-93
  4. DOI: 10.1353/ect.2017.0015
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  1. The Whitest Girl
  2. Brenda Peynado
  3. pp. 94-103
  4. DOI: 10.1353/ect.2017.0016
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  1. The Purse Thieves
  2. Tommye Blount
  3. pp. 104-105
  4. DOI: 10.1353/ect.2017.0017
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  1. I Want to Feel Close to You When I Read
  2. Jennifer Tseng
  3. pp. 106-109
  4. DOI: 10.1353/ect.2017.0018
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  1. As the Wolves Gather
  2. Marilyn Nelson
  3. p. 110
  4. DOI: 10.1353/ect.2017.0019
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  1. Map of Anguilla, BWI: Handed to Alexis Pauline Gumbs by Jeremiah Gumbs.
  2. Alexis Pauline Gumbs
  3. pp. 111-115
  4. DOI: 10.1353/ect.2017.0020
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  1. True Courses: Starting from Sayre
  2. Pat Valdata
  3. pp. 116-119
  4. DOI: 10.1353/ect.2017.0021
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  1. Conjuring, Willing, Napping
  2. Dahlia Elsayed
  3. p. 120
  4. DOI: 10.1353/ect.2017.0022
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  1. I am convinced now that more than anything we want to live forever.
  2. Sandra Marchetti
  3. p. 121
  4. DOI: 10.1353/ect.2017.0023
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  1. Coy Worm, and: Saint Worm
  2. Hailey Leithauser
  3. pp. 122-125
  4. DOI: 10.1353/ect.2017.0024
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  1. Revisiting a Journal Taken to Mount Talol / Pooskaus / Tahoma / Tacobeh / Tacoma / Rainier
  2. Linda Russo
  3. pp. 126-140
  4. DOI: 10.1353/ect.2017.0025
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  1. On Caterpillars
  2. Regan Huff
  3. p. 141
  4. DOI: 10.1353/ect.2017.0030
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  1. Outside Is the Ocean
  2. Matthew Lansburgh
  3. pp. 142-152
  4. DOI: 10.1353/ect.2017.0026
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  1. Still Life with Avalanche
  2. Nikki Zielinski
  3. pp. 153-154
  4. DOI: 10.1353/ect.2017.0027
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  1. The Rocks Took Charge
  2. Linda Hogan
  3. pp. 155-159
  4. DOI: 10.1353/ect.2017.0028
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  1. I. de Las Piedras del Cielo
  2. Pablo Neruda, James Nolan
  3. pp. 160-161
  4. DOI: 10.1353/ect.2017.0029
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  1. Garni-Geghard
  2. Naira Kuzmich
  3. pp. 162-174
  4. DOI: 10.1353/ect.2017.0031
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  1. Photograph: Alice Allgood Cooper on Her Wedding Trip, and: Cotton Block, and: First Eclogue
  2. Alicia Wright
  3. pp. 175-177
  4. DOI: 10.1353/ect.2017.0032
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  1. A Beautiful Song, Very Melancholy and Very Old
  2. Bess Winter
  3. pp. 178-194
  4. DOI: 10.1353/ect.2017.0033
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  1. Creatures of the Order Anura
  2. Kelsey Oseid Wojciak
  3. pp. 200-201
  4. DOI: 10.1353/ect.2017.0035
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  1. Notes on Contributors
  2. pp. 196-199
  3. DOI: 10.1353/ect.2017.0034
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