Volume 67, Number 4, Winter 2016

Table of Contents

From the Editor

Shakespeare Quarterly's New Digital Space

pp. 399-400
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Foreword

#Bard: "And noble offices thou mayst effect of mediation"

pp. 401-407
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Essays

"A whole theater of others": Amateur Acting and Immersive Spectatorship in the Digital Shakespeare Game Play the Knave

pp. 408-430
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Essentializing Shakespeare in the Shakespeare Aftermath: Dmitry Krymov's Midsummer Night's Dream (As You Like It), Matías Piñeiro's Viola, and Annie Dorsen's Piece of Work: A Machine-Made Hamlet

pp. 431-456
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The Shakespeare Cinemacast: Coriolanus

pp. 457-480
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Intermediating the Book Beautiful: Shakespeare at the Doves Press

pp. 481-502
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Ana and Mia: Ophelia on the Web

pp. 503-514
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Book Reviews

The Media Players: Shakespeare, Middleton, Jonson, and the Idea of News by Stephen Wittek (review)

pp. 515-516
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Shakespeare and Ecocritical Theory by Gabriel Egan, and: Shakespeare and Ecology by Randall Martin, and: Shakespeare and the Natural World by Tom MacFaul (review)

pp. 517-520
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This Distracted Globe: Worldmaking in Early Modern Literature ed. by Marcie Frank, Jonathan Goldberg, and Karen Newman (review)

pp. 520-522
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Practicing the City: Early Modern London on Stage by Nina Levine, and: Sensory Experience and the Metropolis on the Jacobean Stage (1603–1625) by Hristomir A. Stanev (review)

pp. 522-524
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Renaissance Posthumanism ed. by Joseph Campana and Scott Maisano, and: Shakespeare's Extremes: Wild Man, Monster, Beast by Jiménez Heffernan (review)

pp. 525-527
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Shakespeare and the Power of the Face ed. by James A. Knapp (review)

pp. 527-529
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The Reformation of Emotions in the Age of Shakespeare by Steven Mullaney (review)

pp. 529-531
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Recipes for Thought: Knowledge and Taste in the Early Modern English Kitchen by Wendy Wall (review)

pp. 531-533
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The Reader in the Book: A Study of Spaces and Traces by Stephen Orgel (review)

pp. 533-534
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The Poetics of Piracy: Emulating Spain in English Literature by Barbara Fuchs (review)

pp. 535-537
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Shakespeare and Classical Antiquity by Colin Burrow (review)

pp. 537-541
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Free Will: Art and Power on Shakespeare's Stage by Richard Wilson (review)

pp. 541-542
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Contributors

pp. 543-547
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Volume 67 Contents

pp. 549-553
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