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Table of Contents

  1. Editor's Note
  2. pp. 6-7
  3. DOI: https://doi.org/10.1353/ner.2017.0029
  4. restricted access
  1. Spaciousness, and: Ancient Questions
  2. Chase Twichell
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/ner.2017.0030
  5. restricted access
  1. Take Stock
  2. Clarence Orsi
  3. pp. 10-15
  4. DOI: https://doi.org/10.1353/ner.2017.0031
  5. restricted access
  1. American Bushtits, and: Burrowing Owls, and: Yellow-Crowned Night Herons
  2. Hugh Behm-Steinberg
  3. pp. 16-19
  4. DOI: https://doi.org/10.1353/ner.2017.0032
  5. restricted access
  1. Desiccated
  2. Ismet Prcic
  3. pp. 20-35
  4. DOI: https://doi.org/10.1353/ner.2017.0033
  5. restricted access
  1. My Mother Says the Syrian Refugees Look Like Tourists
  2. Hai-Dang Phan
  3. pp. 36-38
  4. DOI: https://doi.org/10.1353/ner.2017.0034
  5. restricted access
  1. The Undoing, and: Once a Procession
  2. Marianne Boruch
  3. pp. 39-40
  4. DOI: https://doi.org/10.1353/ner.2017.0035
  5. restricted access
  1. Afghan Girl
  2. Gjertrud Schnackenberg
  3. pp. 41-55
  4. DOI: https://doi.org/10.1353/ner.2017.0036
  5. restricted access
  1. The Freedom to Be Free
  2. Hannah Arendt
  3. pp. 56-69
  4. DOI: https://doi.org/10.1353/ner.2017.0037
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  1. History of Barbed Wire
  2. James McCorkle
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/ner.2017.0038
  5. restricted access
  1. Notes from a Last Man
  2. Barrett Swanson
  3. pp. 72-86
  4. DOI: https://doi.org/10.1353/ner.2017.0039
  5. restricted access
  1. Revolt, and: My Attempted Travels
  2. Jerzy Ficowski
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/ner.2017.0040
  5. restricted access
  1. Poem for the Parlor
  2. Catherine Pierce
  3. p. 89
  4. DOI: https://doi.org/10.1353/ner.2017.0041
  5. restricted access
  1. Enough of Billy
  2. Castle Freeman Jr.
  3. pp. 90-97
  4. DOI: https://doi.org/10.1353/ner.2017.0042
  5. restricted access
  1. Uploads/2013/06/HIV-Associated-Dementia.pdf, and: Pamphlet_234009_HIV_and_inflammation_factsheet/HIV.STD
  2. Noah Stetzer
  3. pp. 98-99
  4. DOI: https://doi.org/10.1353/ner.2017.0043
  5. restricted access
  1. The Art of Losing
  2. Yoon Choi
  3. pp. 100-118
  4. DOI: https://doi.org/10.1353/ner.2017.0044
  5. restricted access
  1. Sibboleth
  2. Bruce Beasley
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/ner.2017.0045
  5. restricted access
  1. Jhumpa Lahiri Goes Italian
  2. Steven G. Kellman
  3. pp. 121-126
  4. DOI: https://doi.org/10.1353/ner.2017.0046
  5. restricted access
  1. Black Marble
  2. Geri Doran
  3. p. 127
  4. DOI: https://doi.org/10.1353/ner.2017.0047
  5. restricted access
  1. A Banquet of Lilacs: An Essay Enacted
  2. Ben Miller
  3. pp. 128-148
  4. DOI: https://doi.org/10.1353/ner.2017.0048
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  1. The Ariadne Year
  2. Analicia Sotelo
  3. pp. 149-152
  4. DOI: https://doi.org/10.1353/ner.2017.0049
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  1. Desire Lines
  2. Laura Spence-Ash
  3. pp. 153-161
  4. DOI: https://doi.org/10.1353/ner.2017.0050
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  1. Lester Leaps In
  2. Cheswayo Mphanza
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/ner.2017.0051
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  1. Anniversary
  2. Gabrielle Bates
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/ner.2017.0052
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  1. The Course of True Love
  2. Steve Almond
  3. pp. 166-175
  4. DOI: https://doi.org/10.1353/ner.2017.0053
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  1. Portrait of the Illness as Nightmare
  2. Leila Chatti
  3. p. 176
  4. DOI: https://doi.org/10.1353/ner.2017.0054
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  1. War Stories
  2. David Heronry
  3. pp. 177-186
  4. DOI: https://doi.org/10.1353/ner.2017.0055
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  1. Allegory of Good Government
  2. Maura Stanton
  3. pp. 187-188
  4. DOI: https://doi.org/10.1353/ner.2017.0056
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  1. To Be Undone: The Art of Mystery in Fiction
  2. Maud Casey
  3. pp. 189-194
  4. DOI: https://doi.org/10.1353/ner.2017.0057
  5. restricted access
  1. Report from Constantinople
  2. Lady Mary Wortley Montagu
  3. pp. 195-201
  4. DOI: https://doi.org/10.1353/ner.2017.0058
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  1. Contributors' Notes
  2. pp. 202-206
  3. DOI: https://doi.org/10.1353/ner.2017.0059
  4. restricted access