+ MUSE Alert

In this Issue

Table of Contents

  1. (Re)constructed Spaces for Early Modern Drama: Research in Practice
  2. Sarah Dustagheer, Oliver Jones, Eleanor Rycroft
  3. pp. 173-185
  4. DOI: https://doi.org/10.1353/shb.2017.0012
  5. restricted access
  1. Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama
  2. Clare Wright
  3. pp. 187-206
  4. DOI: https://doi.org/10.1353/shb.2017.0013
  5. restricted access
  1. Site-specificity, Archaeology, and the Empty Space at the Contemporary Rose Playhouse
  2. Sally Barnden
  3. pp. 207-226
  4. DOI: https://doi.org/10.1353/shb.2017.0014
  5. restricted access
  1. "Intimacy" at the Sam Wanamaker Playhouse
  2. Sarah Dustagheer
  3. pp. 227-246
  4. DOI: https://doi.org/10.1353/shb.2017.0015
  5. restricted access
  1. Place on the Late Medieval and Early Modern Stage: The Case of Ane Satyre of the Thrie Estaitis
  2. Eleanor Rycroft
  3. pp. 247-266
  4. DOI: https://doi.org/10.1353/shb.2017.0016
  5. restricted access
  1. "Explain this Dark Enigma": The Queen's Men and Performance-as-Research in Stratford-upon-Avon
  2. Oliver Jones
  3. pp. 267-287
  4. DOI: https://doi.org/10.1353/shb.2017.0017
  5. restricted access
  1. "Original Practices," Lost Plays, and Historical Imagination: Staging "The Tragedy of Merry"
  2. Emma Whipday, Freyja Cox Jensen
  3. pp. 289-307
  4. DOI: https://doi.org/10.1353/shb.2017.0018
  5. restricted access
  1. "A Theatre, A Giddy Receptacle?": Architecture and Audience Tectonics in the ASC's 2015 Actors' Renaissance Season
  2. Molly Seremet
  3. pp. 309-315
  4. DOI: https://doi.org/10.1353/shb.2017.0019
  5. restricted access
  1. Staging The Merchant of Venice in Spain (2015): Felicitous "Romancing" with Money and Willful Ambiguity?
  2. Susan L. Fischer
  3. pp. 317-334
  4. DOI: https://doi.org/10.1353/shb.2017.0020
  5. restricted access
  1. Romeo and Juliet (review)
  2. Michael J. Collins
  3. pp. 335-338
  4. DOI: https://doi.org/10.1353/shb.2017.0021
  5. restricted access
  1. The Winter's Tale (review)
  2. Hopkins Justin B.
  3. pp. 339-342
  4. DOI: https://doi.org/10.1353/shb.2017.0022
  5. restricted access
  1. The Tempest (review)
  2. Julian Richards
  3. pp. 342-345
  4. DOI: https://doi.org/10.1353/shb.2017.0023
  5. restricted access
  1. Love's Labour's Lost (review)
  2. Sophie Tomlinson
  3. pp. 346-348
  4. DOI: https://doi.org/10.1353/shb.2017.0024
  5. restricted access
  1. Measure for Measure (review)
  2. Rachel Wifall
  3. pp. 348-350
  4. DOI: https://doi.org/10.1353/shb.2017.0025
  5. restricted access
  1. The Comedy of Errors (review)
  2. Jayme M. Yeo
  3. pp. 350-355
  4. DOI: https://doi.org/10.1353/shb.2017.0026
  5. restricted access
  1. Cracking Shakespeare: A Hands-On Guide for Actors and Directors by Kelly Hunter ,and : Directing Shakespeare in America: Current Practices. by Charles Ney (review)
  2. Tom Scholte
  3. pp. 357-361
  4. DOI: https://doi.org/10.1353/shb.2017.0027
  5. restricted access
  1. OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation ed. by Daniel Fischlin (review)
  2. Kailin Wright
  3. pp. 362-366
  4. DOI: https://doi.org/10.1353/shb.2017.0028
  5. restricted access