1. Holding Pattern
  2. Sharon P. Holland
  3. pp. 1-2
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  1. Re-Imagining Slavery in the Hip-Hop Imagination
  2. Regina N. Bradley
  3. pp. 3-24
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  1. Declining Misery: Rural Florida’s Hmong and Korean Farmers
  2. Joo Ok Kim
  3. pp. 25-37
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  1. Taste as Emotion: The Synesthetic Body in Monique Truong’s Bitter in the Mouth
  2. Jennifer Brandt
  3. pp. 38-57
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  1. “I’d sing you a song if I could sing”: Art and Artifice in Ellen Douglas’s Can’t Quit You, Baby
  2. Jaydn DeWald
  3. pp. 58-78
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  1. Not Real Good at Modern Life: Appalachian Pentecostals in the Works of Lee Smith
  2. Andrew Connolly
  3. pp. 79-100
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  1. Fantasy and Haiti’s Erasure in William Faulkner’s Absalom, Absalom!
  2. Wanda Raiford
  3. pp. 101-121
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  1. Laying Down the Rails: Sacred and Secular Groundwork in Zora Neale Hurston’s Jonah’s Gourd Vine and King Vidor’s Hallelujah
  2. Leslie Wingard
  3. pp. 122-141
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  1. Contributors
  2. pp. 142-143
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