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In this Issue

Table of Contents

  1. Pinter’s The Homecoming: Displacing and Repeating Ibsen
  2. Thomas Postlewait
  3. pp. 195-212
  4. DOI: https://doi.org/10.1353/cdr.1981.0028
  5. restricted access
  1. Dramatic Elements in Early Monastic Induction Ceremonies
  2. George Klawitter
  3. pp. 213-230
  4. DOI: https://doi.org/10.1353/cdr.1981.0029
  5. restricted access
  1. Play and Passion in The Man of Mode
  2. Derek Hughes
  3. pp. 231-257
  4. DOI: https://doi.org/10.1353/cdr.1981.0030
  5. restricted access
  1. Matthew Parker’s Pastoral Training and Marlowe’s Doctor Faustus
  2. Celia Barnes
  3. pp. 258-267
  4. DOI: https://doi.org/10.1353/cdr.1981.0031
  5. restricted access
  1. The Collected Screenplays of Bernard Shaw ed. by Bernard F. Dukore (review)
  2. Arthur Ganz
  3. pp. 268-269
  4. DOI: https://doi.org/10.1353/cdr.1981.0032
  5. restricted access
  1. “Othello” as Tragedy: Some Problems of Judgment and Feeling by Jane Adamson (review)
  2. J. A. Bryant Jr.
  3. pp. 269-272
  4. DOI: https://doi.org/10.1353/cdr.1981.0033
  5. restricted access
  1. Ibsen and the Theatre ed. by Errol Durbach (review)
  2. Otto Reinert
  3. pp. 272-275
  4. DOI: https://doi.org/10.1353/cdr.1981.0034
  5. restricted access
  1. The Garrick Stage: Theatres and Audience in the Eighteenth Century by Allardyce Nicoll (review)
  2. Judith Milhous
  3. pp. 275-277
  4. DOI: https://doi.org/10.1353/cdr.1981.0035
  5. restricted access
  1. Perspective in Shakespeare’s English Histories by Larry S. Champion (review)
  2. William M. Jones
  3. pp. 277-278
  4. DOI: https://doi.org/10.1353/cdr.1981.0036
  5. restricted access
  1. The Making of Menander’s Comedy by Sander M. Goldberg (review)
  2. Peter Arnott
  3. pp. 278-279
  4. DOI: https://doi.org/10.1353/cdr.1981.0037
  5. restricted access
  1. The Woman’s Part: Feminist Criticism of Shakespeare ed. by Carolyn Lenz, Gayle Greene, Carol Neely (review)
  2. Cecile Williamson Cary
  3. pp. 280-281
  4. DOI: https://doi.org/10.1353/cdr.1981.0038
  5. restricted access
  1. Money and Politics in Ibsen, Shaw, and Brecht by Bernard F. Dukore (review)
  2. James Coakley
  3. pp. 281-283
  4. DOI: https://doi.org/10.1353/cdr.1981.0039
  5. restricted access
  1. Shakespeare’s “More Than Words Can Witness”: Essays on Visual and Nonverbal Enactment in the Plays ed. by Sidney Homan (review)
  2. David M. Bergeron
  3. pp. 283-286
  4. DOI: https://doi.org/10.1353/cdr.1981.0040
  5. restricted access
  1. Renaissance Drama, n.s. 10 ed. by Leonard Barkan (review)
  2. Rolf Soellner
  3. pp. 286-288
  4. DOI: https://doi.org/10.1353/cdr.1981.0041
  5. restricted access
  1. Contributors
  3. DOI: https://doi.org/10.1353/cdr.1981.0027
  4. restricted access