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Table of Contents

  1. “Ower Swete Sokor”: The Role of Ophelia in Hamlet
  2. Cherrell Guilfoyle
  3. pp. 3-17
  4. DOI: https://doi.org/10.1353/cdr.1980.0001
  5. restricted access
  1. Defeated Sexuality in the Plays and Novels of Samuel Beckett
  2. Kristin Morrison
  3. pp. 18-34
  4. DOI: https://doi.org/10.1353/cdr.1980.0002
  5. restricted access
  1. Aphrodite katadyomene: Dryden’s Cleopatra on the Cydnos
  2. Derek Hughes
  3. pp. 35-45
  4. DOI: https://doi.org/10.1353/cdr.1980.0003
  5. restricted access
  1. Wagner and Shaw: Rheingold Motifs in Major Barbara
  2. Robert Coskren
  3. pp. 70-73
  4. DOI: https://doi.org/10.1353/cdr.1980.0005
  5. restricted access
  1. Measure for Measure, Montmorency, and Sardou’s La Tosca
  2. Mark Eccles
  3. pp. 74-78
  4. DOI: https://doi.org/10.1353/cdr.1980.0006
  5. restricted access
  1. York ed. Alexandra F. Johnston, Margaret Rogerson (review)
  2. Clifford Davidson
  3. pp. 79-81
  4. DOI: https://doi.org/10.1353/cdr.1980.0007
  5. restricted access
  1. The Gorgon’s Head: A Study in Tragedy and Despair by William R. Brashear (review)
  2. John Chioles
  3. pp. 82-85
  4. DOI: https://doi.org/10.1353/cdr.1980.0008
  5. restricted access
  1. Les Centres dramatiques nationaux de province by Kenneth White (review)
  2. Bettina L. Knapp
  3. pp. 85-87
  4. DOI: https://doi.org/10.1353/cdr.1980.0009
  5. restricted access
  1. The Jew of Malta by Christopher Marlowe (review)
  2. Mark Rose
  3. pp. 87-89
  4. DOI: https://doi.org/10.1353/cdr.1980.0010
  5. restricted access
  1. The Irish Drama of Europe from Yeats to Beckett by Katharine Worth (review)
  2. Marilyn Gaddis Rose
  3. pp. 89-90
  4. DOI: https://doi.org/10.1353/cdr.1980.0011
  5. restricted access
  1. Robert Anderson by Thomas P. Adler (review)
  2. Stephen S. Stanton
  3. pp. 90-93
  4. DOI: https://doi.org/10.1353/cdr.1980.0012
  5. restricted access
  1. Opera in the Development of German Critical Thought by Gloria Flaherty (review)
  2. Henry A. Lea
  3. pp. 93-95
  4. DOI: https://doi.org/10.1353/cdr.1980.0013
  5. restricted access
  1. Goethe and the Weimar Theatre by Marvin Carlson (review)
  2. Liselotte Dieckmann
  3. pp. 95-96
  4. DOI: https://doi.org/10.1353/cdr.1980.0014
  5. restricted access
  1. Leeds Studies in English, n.s. 10 (review)
  3. p. 96
  4. DOI: https://doi.org/10.1353/cdr.1980.0015
  5. restricted access
  1. Contributors
  3. DOI: https://doi.org/10.1353/cdr.1980.0000
  4. restricted access
  1. On the Dissemination of Quem quaeritis and the Visitatio sepulchri and the Chronology of Their Early Sources
  2. David A. Bjork
  3. pp. 46-69
  4. DOI: https://doi.org/10.1353/cdr.1980.0004
  5. restricted access