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In this Issue

Table of Contents

  1. Brecht’s Contacts with the Theater of Meyerhold
  2. Katherine Eaton
  3. pp. 3-21
  4. DOI: https://doi.org/10.1353/cdr.1977.0001
  5. restricted access
  1. Devotional Iconography in the N-Town Marian Plays
  2. Theresa Coletti
  3. pp. 22-44
  4. DOI: https://doi.org/10.1353/cdr.1977.0002
  5. restricted access
  1. Louis Aragon’s L’Armoire à glace un beau soir: A Play of the Surrealist “Époque de sommeil”
  2. Annabelle Henkin Melzer
  3. pp. 45-62
  4. DOI: https://doi.org/10.1353/cdr.1977.0003
  5. restricted access
  1. Bartholomew Fair:: Ben Jonson’s “A Midsummer Night’s Dream”
  2. John Scott Colley
  3. pp. 63-72
  4. DOI: https://doi.org/10.1353/cdr.1977.0004
  5. restricted access
  1. A New Play by Apollinaire
  2. Willard Bohn
  3. pp. 73-87
  4. DOI: https://doi.org/10.1353/cdr.1977.0005
  5. restricted access
  1. Shakespeare Survey 28 ed. by Kenneth Muir (review)
  2. Philip C. Kolin
  3. pp. 88-91
  4. DOI: https://doi.org/10.1353/cdr.1977.0006
  5. restricted access
  1. The Maculate Muse: Obscene Language in Attic Comedy by Jeffrey Henderson (review)
  2. O. M. Pearl
  3. pp. 91-95
  4. DOI: https://doi.org/10.1353/cdr.1977.0007
  5. restricted access
  1. The Medieval Religious Stage: Shapes and Phantoms by A. M. Nagler (review)
  2. David Bevington
  3. pp. 95-98
  4. DOI: https://doi.org/10.1353/cdr.1977.0008
  5. restricted access
  1. A Note in Correction: Shakespeare’s Romances (review)
  2. John Arthos
  3. pp. 98-99
  4. DOI: https://doi.org/10.1353/cdr.1977.0009
  5. restricted access
  1. Eugène Ionesco by Ronald Hayman (review)
  2. Kenneth S. White
  3. pp. 99-100
  4. DOI: https://doi.org/10.1353/cdr.1977.0010
  5. restricted access
  1. Contributors
  3. DOI: https://doi.org/10.1353/cdr.1977.0000
  4. restricted access