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Table of Contents

  1. Everyman in America
  2. Earl G. Schreiber
  3. pp. 99-115
  4. DOI: https://doi.org/10.1353/cdr.1975.0021
  5. restricted access
  1. Heywood’s Adaptation of Plautus’ Rudens: The Problem of Slavery in The Captives
  2. Carolyn Prager
  3. pp. 116-124
  4. DOI: https://doi.org/10.1353/cdr.1975.0022
  5. restricted access
  1. Narrative Bible Cycles in Medieval Art and Drama
  2. Patrick J. Collins
  3. pp. 125-146
  4. DOI: https://doi.org/10.1353/cdr.1975.0023
  5. restricted access
  1. Criticism and the Films of Shakespeare’s Plays
  2. Marvin Felheim
  3. pp. 147-155
  4. DOI: https://doi.org/10.1353/cdr.1975.0024
  5. restricted access
  1. Cecchi and the Reconciliation of Theatrical Traditions
  2. Douglas Radcliff-Umstead
  3. pp. 156-175
  4. DOI: https://doi.org/10.1353/cdr.1975.0025
  5. restricted access
  1. Shakespeare’s Romances: A Study of Some Ways of the Imagination by Hallett Smith, and: Time, Tide and Tempest: A Study of Shakespeare’s Romances by Douglas L. Peterson (review)
  2. John Arthos
  3. pp. 176-182
  4. DOI: https://doi.org/10.1353/cdr.1975.0026
  5. restricted access
  1. Theatre 5: The American Theatre 1971–72 (review)
  2. Wallace Johnson
  3. pp. 182-184
  4. DOI: https://doi.org/10.1353/cdr.1975.0027
  5. restricted access
  1. From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and his Contemporaries by Max Bluestone (review)
  2. Sidney Homan
  3. pp. 184-187
  4. DOI: https://doi.org/10.1353/cdr.1975.0028
  5. restricted access
  1. Shakespeare’s Apprenticeship by Robert Y. Turner (review)
  2. Robert E. Knoll
  3. pp. 187-190
  4. DOI: https://doi.org/10.1353/cdr.1975.0029
  5. restricted access
  1. Contributors
  3. DOI: https://doi.org/10.1353/cdr.1975.0020
  4. restricted access