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Table of Contents

  1. The Rediscovery of Anti-Form in Renaissance Drama
  2. Jackson I. Cope
  3. pp. 155-171
  4. DOI: https://doi.org/10.1353/cdr.1967.0005
  5. restricted access
  1. The Daughters of Herodias in Hérodiade, Salomé, and A Full Moon in March
  2. Marilyn Gaddis Rose
  3. pp. 172-181
  4. DOI: https://doi.org/10.1353/cdr.1967.0006
  5. restricted access
  1. The Seneca Perspective and the Shakespearean Poetic
  2. R. J. Kaufmann
  3. pp. 182-198
  4. DOI: https://doi.org/10.1353/cdr.1967.0007
  5. restricted access
  1. The Absurd World of Strindberg’s The Dance of Death
  2. Orley I. Holtan
  3. pp. 199-206
  4. DOI: https://doi.org/10.1353/cdr.1967.0008
  5. restricted access
  1. Ahab’s Quenchless Feud: The Tragic Vision in Shakespeare and Melville1
  2. Richard B. Sewall
  3. pp. 207-218
  4. DOI: https://doi.org/10.1353/cdr.1967.0009
  5. restricted access
  1. Theobald’s The Double Falsehood: A Revision of Shakespeare’s Cardenio?
  2. Harriet C. Frazier
  3. pp. 219-233
  4. DOI: https://doi.org/10.1353/cdr.1967.0010
  5. restricted access