restricted access   Volume 61, Number 2, Summer 2017 (T234)

Table of Contents


p. 1


The Multifarious Nature of Care

pp. 2-3

TDR Comment

Donald John Trump, President?

pp. 7-10


Paso Libre: Border Enactment, Infrastructure, and Crisis Resolution at the Port of Laredo 1954–1957

pp. 11-31

Fragments of the European Refugee Crisis: Performing Displacement and the Re-Shaping of Greek Identity

pp. 32-47

A Traveling Script: Labor Migration, Precarity, and Performance

pp. 48-70

Memoryscapes of Race: Black Radical Parading Cultures of New Orleans

pp. 71-86

No More Bystanders: Grandchildren of Hiroshima and the 70th Anniversary of the Atomic Bomb

pp. 87-104

A Stage Presence: Michael Kirby's Embedded Sculptures

pp. 105-116

Choreographing Freedom: Mass Performance in the Festivals of the French Revolution

pp. 117-139

Student Essay Contest Winner

Defecting Witness: The Difficulty in Watching Regina José Galindo's PERRA

pp. 140-157

Critical Acts

Joël Pommerat Stages the French Revolution: Ça ira: Fin de Louis, I

pp. 158-165

"Madness Is Contagious": Language and Violence in the Goodman Theatre's 2666

pp. 166-172


Performance and Media: Taxonomies for a Changing Field by Sarah Bay-Cheng, Jennifer Parker-Starbuck, and David Z. Saltz (review)

pp. 173-175

Watching Weimar Dance by Kate Elswit (review)

pp. 175-177

The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution by Jeremy Matthew Glick (review)

pp. 178-179

Performing Policy: How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century by Paul Bonin-Rodriguez (review)

pp. 180-182

Playing God: The Bible on the Broadway Stage by Henry Bial (review)

pp. 182-184

The Transparent Traveler: The Performance and Culture of Airport Security by Rachel Hall (review)

pp. 184-186

Etienne Decroux and His Theatre Laboratory by Marco De Marinis (review)

pp. 186-188

More Books

pp. 189-190