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In this Issue

Table of Contents

  1. Editors’ Page
  2. Stephanie G’Schwind, Camille T. Dungy
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/col.2017.0075
  5. restricted access
  1. What She Is
  2. Emilie Beck
  3. pp. 3-19
  4. DOI: https://doi.org/10.1353/col.2017.0066
  5. restricted access
  1. Bees
  2. Andrew Porter
  3. pp. 20-34
  4. DOI: https://doi.org/10.1353/col.2017.0059
  5. restricted access
  1. Voices Underwater
  2. Samantha Storey
  3. pp. 49-65
  4. DOI: https://doi.org/10.1353/col.2017.0082
  5. restricted access
  1. Daughter Tongue
  2. Kathleen Blackburn
  3. pp. 66-77
  4. DOI: https://doi.org/10.1353/col.2017.0084
  5. restricted access
  1. Nadyne and the Theory of Everything
  2. J. F. Dakin
  3. pp. 78-83
  4. DOI: https://doi.org/10.1353/col.2017.0054
  5. restricted access
  1. Transparent
  2. Jill Talbot
  3. pp. 84-96
  4. DOI: https://doi.org/10.1353/col.2017.0045
  5. restricted access
  1. On Bridges and the Shadows of Bridges
  2. Kaveh Akbar
  3. p. 97
  4. DOI: https://doi.org/10.1353/col.2017.0049
  5. restricted access
  1. Nostalgia Negra, and: Inventing a Lineage on the Day My Mother’s Mother Is Buried
  2. Lauren K. Alleyne
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/col.2017.0051
  5. restricted access
  1. Saint Mutt, and: Saint Mylar Balloon
  2. Becca Barniskis
  3. pp. 101-102
  4. DOI: https://doi.org/10.1353/col.2017.0067
  5. restricted access
  1. After You Tell Me I Romanticize Everything
  2. Sarah Bates
  3. p. 103
  4. DOI: https://doi.org/10.1353/col.2017.0052
  5. restricted access
  1. Lullaby on Mount Moriah, and: Dioskouri
  2. Traci Brimhall
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/col.2017.0060
  5. restricted access
  1. On the Playground Brother Teaches the Girls about the Old Testament
  2. Sarah Carson
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/col.2017.0076
  5. restricted access
  1. The Light from Certain Houses
  2. Peter Cooley
  3. p. 109
  4. DOI: https://doi.org/10.1353/col.2017.0047
  5. restricted access
  1. For Our Daughter
  2. Chelsea Dingman
  3. pp. 110-111
  4. DOI: https://doi.org/10.1353/col.2017.0077
  5. restricted access
  1. Athlete
  2. Hilary Vaughn Dobel
  3. p. 112
  4. DOI: https://doi.org/10.1353/col.2017.0062
  5. restricted access
  1. Ballot Initiative: Mission Rock Development Project, SF
  2. Kelly Jean Egan
  3. p. 113
  4. DOI: https://doi.org/10.1353/col.2017.0048
  5. restricted access
  1. Mackerel, and: Maid Poem #2
  2. Jan-Henry Gray
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/col.2017.0071
  5. restricted access
  1. Croatoan
  2. Lauren Haldeman
  3. pp. 116-117
  4. DOI: https://doi.org/10.1353/col.2017.0058
  5. restricted access
  1. Measurements
  2. Julie Henson
  3. p. 118
  4. DOI: https://doi.org/10.1353/col.2017.0061
  5. restricted access
  1. Dreams on the Morning of Getting Kicked Out
  2. Zachary Hester
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/col.2017.0068
  5. restricted access
  1. November, Fairbanks, Alaska: An Aubade, and: The Sight of Birds, and: The State: An Orderly’s Remembrance
  2. Sean Hill
  3. pp. 121-124
  4. DOI: https://doi.org/10.1353/col.2017.0079
  5. restricted access
  1. Goddess Unhappy Ending #1
  2. Vandana Khanna
  3. p. 125
  4. DOI: https://doi.org/10.1353/col.2017.0083
  5. restricted access
  1. Etude
  2. Dan Lau
  3. p. 126
  4. DOI: https://doi.org/10.1353/col.2017.0069
  5. restricted access
  1. Kneel
  2. Mariama J. Lockington
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/col.2017.0073
  5. restricted access
  1. Hat Trick
  2. Erik A Meitner
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/col.2017.0065
  5. restricted access
  1. To Théma, Almost Two Years after Your Burial
  2. Kamilah Aisha Moon
  3. p. 132
  4. DOI: https://doi.org/10.1353/col.2017.0053
  5. restricted access
  1. The Fossil
  2. Erik A Mueller
  3. p. 133
  4. DOI: https://doi.org/10.1353/col.2017.0070
  5. restricted access
  1. Motherhood after Virginia Woolf
  2. Caitlin Newcomer
  3. p. 134
  4. DOI: https://doi.org/10.1353/col.2017.0072
  5. restricted access
  1. Mr. Quass and the Crustaceans
  2. Aimee Nezhukumatathil
  3. p. 135
  4. DOI: https://doi.org/10.1353/col.2017.0074
  5. restricted access
  1. Fermata
  2. Jacob Oet
  3. p. 136
  4. DOI: https://doi.org/10.1353/col.2017.0063
  5. restricted access
  1. Ocean’s Acid Reflux, and: Cloud Hands, and: Last Room
  2. Donald Platt
  3. pp. 137-145
  4. DOI: https://doi.org/10.1353/col.2017.0064
  5. restricted access
  1. Hush
  2. Alison Prine
  3. pp. 146-147
  4. DOI: https://doi.org/10.1353/col.2017.0055
  5. restricted access
  1. Voyeurs
  2. Jacques J. Rancourt
  3. pp. 148-149
  4. DOI: https://doi.org/10.1353/col.2017.0057
  5. restricted access
  1. Twelve Partial Truths and One Certainty, and: Double Acrostic for William Wordsworth, and: [The Truth Is I’m Too Impressed by Wealth]
  2. Martin Rock
  3. pp. 150-153
  4. DOI: https://doi.org/10.1353/col.2017.0080
  5. restricted access
  1. Bipolar Objective Correlative, and: Dispatch from Midlife
  2. Carmen Giménez Smith
  3. pp. 154-155
  4. DOI: https://doi.org/10.1353/col.2017.0078
  5. restricted access
  1. The Lost Land
  2. Dag T. Straumsvåg, Robert Hedin
  3. p. 156
  4. DOI: https://doi.org/10.1353/col.2017.0056
  5. restricted access
  1. To My Little Cousin
  2. Javier Zamora
  3. p. 157
  4. DOI: https://doi.org/10.1353/col.2017.0046
  5. restricted access
  1. Coverage
  2. Joan Silber
  3. pp. 35-48
  4. DOI: https://doi.org/10.1353/col.2017.0081
  5. restricted access
  1. Contributor Notes
  3. pp. 158-163
  4. DOI: https://doi.org/10.1353/col.2017.0050
  5. restricted access