restricted access   Volume 60, Number 2, Summer 2017

Table of Contents

Editor's Note

p. iii


Out-of-the-Way Closets: "Kabnis," Race, and Closet Drama

pp. 133-149

Museum, Furniture, Men: The Queer Ecology of I Am My Own Wife

pp. 150-168

Performativity and the Persistence of the Golem Legend

pp. 169-188

Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

pp. 189-211

Sermon and Spectacle: J.B. Priestley's An Inspector Calls

pp. 212-230


Royal Court: International by Elaine Aston and Mark O'Thomas (review)

pp. 231-233

Performance and Media: Taxonomies for a Changing Field by Sarah Bay-Cheng, Jennifer Parker-Starbuck, and David Z. Saltz (review)

pp. 233-236

Ruth Maleczech at Mabou Mines: Woman's Work by Jessica Silsby Brater (review)

pp. 236-238

Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka (review)

pp. 238-240

Disability Theatre and Modern Drama: Recasting Modernism by Kirsty Johnston (review)

pp. 241-243

Robert Lepage on the Toronto Stage: Language, Identity, Nation by Jane Koustas (review)

pp. 243-245

Tragedy and Dramatic Theatre by Hans-Thies Lehmann (review)

pp. 245-247

Embodied Avatars: Genealogies of Black Feminist Art and Performance by Uri McMillan (review)

pp. 247-250