1. Out-of-the-Way Closets: "Kabnis," Race, and Closet Drama
  2. Merve Emre
  3. pp. 133-149
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  1. Museum, Furniture, Men: The Queer Ecology of I Am My Own Wife
  2. Trish McTighe
  3. pp. 150-168
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  1. Performativity and the Persistence of the Golem Legend
  2. Alan Sikes
  3. pp. 169-188
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  1. Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun
  2. Sarah Orem
  3. pp. 189-211
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  1. Sermon and Spectacle: J.B. Priestley's An Inspector Calls
  2. Ranu Samantrai
  3. pp. 212-230
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  1. Royal Court: International by Elaine Aston and Mark O'Thomas (review)
  2. Margherita Laera
  3. pp. 231-233
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  1. Performance and Media: Taxonomies for a Changing Field by Sarah Bay-Cheng, Jennifer Parker-Starbuck, and David Z. Saltz (review)
  2. Chris Salter
  3. pp. 233-236
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  1. Ruth Maleczech at Mabou Mines: Woman's Work by Jessica Silsby Brater (review)
  2. Iris Smith Fischer
  3. pp. 236-238
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  1. Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 238-240
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  1. Disability Theatre and Modern Drama: Recasting Modernism by Kirsty Johnston (review)
  2. Patrick McKelvey
  3. pp. 241-243
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  1. Robert Lepage on the Toronto Stage: Language, Identity, Nation by Jane Koustas (review)
  2. Ric Knowles
  3. pp. 243-245
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  1. Tragedy and Dramatic Theatre by Hans-Thies Lehmann (review)
  2. David Kornhaber
  3. pp. 245-247
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  1. Embodied Avatars: Genealogies of Black Feminist Art and Performance by Uri McMillan (review)
  2. Uchenna Itam
  3. pp. 247-250
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  1. Editor's Note
  2. p. iii
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