1. Plainsong New and Old: The Versified Office for St Ansanus of Siena
  2. Benjamin Brand
  3. pp. 1-31
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  1. 'Liveridge is in Ireland': Richard Leveridge and the Earliest Surviving Dublin Birthday Odes
  2. Estelle Murphy
  3. pp. 32-73
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  1. Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy
  2. Benjamin Steege
  3. pp. 74-103
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  1. Paul Kammerer and Alban Berg: Rivals in Song
  2. Bryan R. Simms
  3. pp. 104-127
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  1. Trovatore amante spia: Otto secoli di cronache intorno al celebre favorito che salvò Re Riccardo by Davide Daolmi (review)
  2. Siel Agugliaro
  3. pp. 128-130
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  1. Tactus, Mensuration and Rhythm in Renaissance Music by Ruth I. DeFord (review)
  2. Anne Stone
  3. pp. 130-133
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  1. Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe by Kate van Orden (review)
  2. David Fallows
  3. pp. 133-134
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  1. The Penguin Book of English Song: Seven Centuries of Poetry from Chaucer to Auden ed. by Richard Stokes (review)
  2. Stephen Banfield
  3. pp. 134-137
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  1. Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke (review)
  2. Angela Kang
  3. pp. 137-139
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  1. The Other Worlds of Hector Berlioz: Travels with the Orchestra by Inge van Rij (review)
  2. Francesca Brittan
  3. pp. 139-141
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  1. Franz Liszt: Musician, Celebrity, Superstar by Oliver Hilmes (review)
  2. Joanne Cormac
  3. pp. 141-142
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  1. Johannes Brahms: Die Lieder. Ein musikalischer Werkführer by Matthias Schmidt (review)
  2. Reuben Phillips
  3. pp. 143-144
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  1. The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities by Marie Sumner Lott (review)
  2. Natasha Loges
  3. pp. 144-147
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  1. Local Glories: Opera Houses on Main Streets, where Art and Community Meet by Ann Satterthwaite (review)
  2. Charlotte Bentley
  3. pp. 147-149
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  1. String Quartet in F Major (Quatuor à cordes en fa majeur) by Maurice Ravel (review)
  2. Steven Huebner
  3. pp. 149-150
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  1. The Sea in the British Musical Imagination ed. by Eric Saylor and Christopher M. Scheer (review)
  2. Ceri Owen
  3. pp. 150-152
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  1. Nagmusiek by Stephanus Muller (review)
  2. John Tyrrell
  3. pp. 153-155
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  1. Luigi Dallapiccola and Musical Modernism in Fascist Italy by Ben Earle (review)
  2. Ian Pace
  3. pp. 155-159
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  1. Discoveries from the Fortepiano: A Manual for Beginning and Seasoned Performers by Donna Louise Gunn (review)
  2. John Irving
  3. pp. 164-165
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  1. Performative Analysis: Reimagining Music Theory for Performance by Jeffrey Swinkin (review)
  2. Elaine C. King
  3. pp. 165-167
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  1. Recipients of 'Music & Letters' Awards
  2. p. 168
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  1. 'Music & Letters' Awards
  2. p. 171
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  1. Authors of Articles in This Issue
  2. p. 171
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  1. Books Received
  2. pp. 172-173
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