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Table of Contents

  1. Marriage Sermons, Polemical Sermons, and The Wife of Bath’s Prologue: A Generic Excursus
  2. Andrew Galloway
  3. pp. 3-30
  4. DOI: https://doi.org/10.1353/sac.1992.0000
  5. restricted access
  1. Literary, Legal, and Last Judgments in The Canterbury Tales
  2. Elizabeth A. Dobbs
  3. pp. 31-52
  4. DOI: https://doi.org/10.1353/sac.1992.0001
  5. restricted access
  1. Obstetrical and Gynecological Texts in Middle English
  2. Monica H. Green
  3. pp. 53-88
  4. DOI: https://doi.org/10.1353/sac.1992.0002
  5. restricted access
  1. A Companion to Piers Plowman ed. by John A. Alford (review)
  2. Penn R. Szittya
  3. pp. 89-92
  4. DOI: https://doi.org/10.1353/sac.1992.0003
  5. restricted access
  1. The Song of Songs in the Middle Ages by Ann W. Astell, and: The Voice of My Beloved: The Song of Songs in Western Medieval Christianity by E. Ann Matter (review)
  2. Raymond-Jean Frontain
  3. pp. 92-95
  4. DOI: https://doi.org/10.1353/sac.1992.0004
  5. restricted access
  1. Chaucer’s Troilus and Criseyde by C. David Benson (review)
  2. Robert M. Jordan
  3. pp. 95-98
  4. DOI: https://doi.org/10.1353/sac.1992.0005
  5. restricted access
  1. Chaucer’s Religious Tales ed. by C. David Benson, Elizabeth Robertson (review)
  2. Thomas H. Bestul
  3. pp. 98-101
  4. DOI: https://doi.org/10.1353/sac.1992.0006
  5. restricted access
  1. The Age of Saturn: Literature and History in the Canterbury Tales by Peter Brown, Andrew butcher (review)
  2. Paul A. Olson
  3. pp. 101-104
  4. DOI: https://doi.org/10.1353/sac.1992.0007
  5. restricted access
  1. The Mythographic Art: Classical Fable and the Rise of the Vernacular in Early France and England ed. by Jane Chance (review)
  2. Winthrop Wetherbee
  3. pp. 104-108
  4. DOI: https://doi.org/10.1353/sac.1992.0008
  5. restricted access
  1. Middle English Debate Poetry: A Critical Anthology ed. by John W. Conlee. (review)
  2. Thomas L. Reed Jr.
  3. pp. 108-112
  4. DOI: https://doi.org/10.1353/sac.1992.0009
  5. restricted access
  1. Rhetoric, Hermeneutics, and Translation in the Middle Ages: Academic Traditions and Vernacular Texts by Rita Copeland (review)
  2. Warren Ginsberg
  3. pp. 112-118
  4. DOI: https://doi.org/10.1353/sac.1992.0010
  5. restricted access
  1. Chaucer’s General Prologue to the Canterbury Tales: An Annotated Bibliography, 1900 to 1982 by Caroline D. Eckhardt (review)
  2. Mark Allen
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/sac.1992.0011
  5. restricted access
  1. Ratio and Invention: A Study of Medieval Lyric and Narrative by Robert R. Edwards (review)
  2. R. W. Hanning
  3. pp. 121-124
  4. DOI: https://doi.org/10.1353/sac.1992.0012
  5. restricted access
  1. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales ed. by Susanna Greer Fein, David Raybin, Peter C. Braeger (review)
  2. Peggy A. Knapp
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/sac.1992.0013
  5. restricted access
  1. Tense and Narrativity: From Medieval Performance to Modern Fiction by Suzanne Fleischman (review)
  2. Melissa Putman Sprenkle
  3. pp. 126-129
  4. DOI: https://doi.org/10.1353/sac.1992.0014
  5. restricted access
  1. Classical Imitation and Interpretation in Chaucer’s Troilus by John V. Fleming (review)
  2. Donald W. Rowe
  3. pp. 129-132
  4. DOI: https://doi.org/10.1353/sac.1992.0015
  5. restricted access
  1. An Ars Legendi for Chaucer’s Canterbury Tales: Re-constructive Reading by Dolores Warwick Frese (review)
  2. Susan Schibanoff
  3. pp. 132-136
  4. DOI: https://doi.org/10.1353/sac.1992.0016
  5. restricted access
  1. Chaucerian Theatricality by John Ganim (review)
  2. Carl Lindahl
  3. pp. 136-140
  4. DOI: https://doi.org/10.1353/sac.1992.0017
  5. restricted access
  1. A Guide to Chaucer’s Meter by Arthur Wayne Glowka (review)
  2. Alan T. Gaylord
  3. pp. 140-144
  4. DOI: https://doi.org/10.1353/sac.1992.0018
  5. restricted access
  1. Ravishing Maidens: Writing Rape in Medieval French Literature and Law by Kathryn Gravdal (review)
  2. Thelma Fenster
  3. pp. 144-146
  4. DOI: https://doi.org/10.1353/sac.1992.0019
  5. restricted access
  1. Boccaccio, Beauvau, Chaucer Troilus and Criseyde: Four Perspectives on Influence by Michael G. Hanly (review)
  2. James M. Dean
  3. pp. 147-150
  4. DOI: https://doi.org/10.1353/sac.1992.0020
  5. restricted access
  1. Relations: Medieval Theories, 1250–1325 by Mark G. Henninger, S. J. (review)
  2. Sheldon M. Cohen
  3. pp. 150-153
  4. DOI: https://doi.org/10.1353/sac.1992.0021
  5. restricted access
  1. Chaucerian Belief: The Poetics of Reverence and Delight by John M. Hill (review)
  2. Alcuin Blamires
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/sac.1992.0022
  5. restricted access
  1. The Revelations of Margery Kempe: Paramystical Practices in Late Medieval England by John C. Hirsh (review)
  2. Laura L. Howes
  3. pp. 156-158
  4. DOI: https://doi.org/10.1353/sac.1992.0023
  5. restricted access
  1. Chaucer’s Measuring Eye by Linda Tarte Holley (review)
  2. Leonard Michael Koff
  3. pp. 158-161
  4. DOI: https://doi.org/10.1353/sac.1992.0024
  5. restricted access
  1. Equally in God’s Image: Women in the Middle Ages ed. by Julia Bolton Holloway, Constance S. Wright, Joan Bechtold (review)
  2. Beverly Boyd
  3. pp. 161-164
  4. DOI: https://doi.org/10.1353/sac.1992.0025
  5. restricted access
  1. Reformist Apocalypticism and Piers Plowman by Kathryn Kerby-Fulton (review)
  2. Robert E. Lerner
  3. pp. 164-167
  4. DOI: https://doi.org/10.1353/sac.1992.0026
  5. restricted access
  1. The Disenchanted Self: Representing the Subject in the Canterbury Tales by H. Marshall Leicester, Jr. (review)
  2. Paul Theiner
  3. pp. 167-172
  4. DOI: https://doi.org/10.1353/sac.1992.0027
  5. restricted access
  1. The Shades of Aeneas: The Imitation of Vergil and the History of Paganism in Boccaccio’s Filostrato, Filocolo, and Teseida by James H. McGregor (review)
  2. Anna Torti
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/sac.1992.0028
  5. restricted access
  1. Virtue and Venom: Catalogs of Women from Antiquity to the Renaissance by Glenda McLeod (review)
  2. Martha A. Kallstrom
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/sac.1992.0029
  5. restricted access
  1. Geoffrey Chaucer by Jill Mann (review)
  2. Susan K. Hagen
  3. pp. 177-180
  4. DOI: https://doi.org/10.1353/sac.1992.0030
  5. restricted access
  1. Chaucer’s Women: Nuns, Wives, and Amazons by Priscilla Martin (review)
  2. Carolyn Dinshaw
  3. pp. 180-184
  4. DOI: https://doi.org/10.1353/sac.1992.0031
  5. restricted access
  1. Truth and Convention in the Middle Ages: Rhetoric, Representation, and Reality by Ruth Morse (review)
  2. Lee Patterson
  3. pp. 184-187
  4. DOI: https://doi.org/10.1353/sac.1992.0032
  5. restricted access
  1. Chaucer Traditions: Studies in Honour of Derek Brewer ed. by Ruth Morse, Barry Windeatt (review)
  2. R. F. Yeager
  3. pp. 187-190
  4. DOI: https://doi.org/10.1353/sac.1992.0033
  5. restricted access
  1. Geoffrey Chaucer: The Canterbury Tales: The General Prologue and Twelve Major Tales in Modern Spelling ed. by Michael Murphy (review)
  2. William A. Quinn
  3. pp. 190-194
  4. DOI: https://doi.org/10.1353/sac.1992.0034
  5. restricted access
  1. Now Through a Glass Darkly: Specular Images of Being and Knowing from Virgil to Chaucer by Edward Peter Nolan (review)
  2. Roy Michael Liuzza
  3. pp. 194-198
  4. DOI: https://doi.org/10.1353/sac.1992.0035
  5. restricted access
  1. Imitating God: The Allegory of Faith in Piers Plowman B by Pamela Raabe (review)
  2. Daniel F. Pigg
  3. pp. 198-200
  4. DOI: https://doi.org/10.1353/sac.1992.0036
  5. restricted access
  1. Middle English Debate Poetry and the Aesthetics of Irresolution by Thomas L. Reed, Jr. (review)
  2. Helen Cooper
  3. pp. 200-202
  4. DOI: https://doi.org/10.1353/sac.1992.0037
  5. restricted access
  1. Chaucer’s Knight’s Tale and Theories of Scholastic Psychology by Lois Roney (review)
  2. Monica E. McAlpine
  3. pp. 202-205
  4. DOI: https://doi.org/10.1353/sac.1992.0038
  5. restricted access
  1. Geoffrey Chaucer: Troilus and Criseyde, from the Text of A. C. Baugh ed. by R. A. Shoaf (review)
  2. Caroline D. Eckhardt
  3. pp. 205-207
  4. DOI: https://doi.org/10.1353/sac.1992.0039
  5. restricted access
  1. The Theatre of Medieval Europe: New Research in Early Drama ed. by Eckehard Simon (review)
  2. Lawrence M. Clopper
  3. pp. 208-212
  4. DOI: https://doi.org/10.1353/sac.1992.0040
  5. restricted access
  1. Medieval Interpretation: Models of Reading in Literary Narrative, 1100–1500 by Robert S. Sturges (review)
  2. Mark Amsler
  3. pp. 212-216
  4. DOI: https://doi.org/10.1353/sac.1992.0041
  5. restricted access
  1. Christianity and the Renaissance: Image and Religious Imagination in the Quattrocento ed. by Timothy Verdon, John Henderson (review)
  2. William R. Cook
  3. pp. 216-217
  4. DOI: https://doi.org/10.1353/sac.1992.0042
  5. restricted access
  1. John Gower’s Poetic: The Search for a New Arion by R. F. Yeager (review)
  2. Russell A. Peck
  3. pp. 217-221
  4. DOI: https://doi.org/10.1353/sac.1992.0043
  5. restricted access
  1. An Annotated Chaucer Bibliography 1990
  2. Lorrayne Y. Baird-Lange, Bege K. Bowers, Bruce W. Hozeski, Hildegard Schnuttgen
  3. pp. 235-318
  4. DOI: https://doi.org/10.1353/sac.1992.0045
  5. restricted access
  1. Index
  3. pp. 319-327
  4. DOI: https://doi.org/10.1353/sac.1992.0046
  5. restricted access
  1. Books Received
  3. pp. 223-234
  4. DOI: https://doi.org/10.1353/sac.1992.0044
  5. restricted access

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Volume 13, 1991

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Volume 15, 1993