1. Charles de Gaulle Airport: The Camp as Neoliberal Containment Site in Two Trojan Women Adaptations
  2. Phillip Zapkin
  3. pp. 1-21
  4. DOI: 10.1353/cdr.2017.0000
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  1. The Plague and Immunity in Othello
  2. Jaecheol Kim
  3. pp. 23-42
  4. DOI: 10.1353/cdr.2017.0001
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  1. Resisting Neoliberalism and Patriarchy: Marina Carr's On Raftery's Hill and Lola Arias's La escuálida familia
  2. Noelia Diaz
  3. pp. 43-69
  4. DOI: 10.1353/cdr.2017.0002
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  1. Four Women in the Woods: An Ecofeminist Look at the Forest as Home
  2. Catherine Diamond
  3. pp. 71-100
  4. DOI: 10.1353/cdr.2017.0003
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  1. Dramatic Spaces: Scenography and Spectatorial Perceptions by Jennifer A. Low (review)
  2. Emma Katherine Atwood
  3. pp. 101-104
  4. DOI: 10.1353/cdr.2017.0004
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  1. Shaw and the Actresses Franchise League: Staging Equality by Ellen Ecker Dolgin (review)
  2. Rebecca Cameron
  3. pp. 104-107
  4. DOI: 10.1353/cdr.2017.0005
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  1. The Reformation of Emotions in the Age of Shakespeare by Steven Mullaney (review)
  2. Sean Lawrence
  3. pp. 107-110
  4. DOI: 10.1353/cdr.2017.0006
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  1. Disability Theatre and Modern Drama: Recasting Modernism by Kirsty Johnston (review)
  2. Maureen McDonnell
  3. pp. 110-113
  4. DOI: 10.1353/cdr.2017.0007
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  1. Christopher Marlowe and the Failure to Unify by Andrew Duxfield (review)
  2. David McInnis
  3. pp. 113-116
  4. DOI: 10.1353/cdr.2017.0008
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  1. Shakespeare's Medieval Craft: Remnants of the Mysteries on the London Stage by Kurt A. Schreyer (review)
  2. Ruth Morse
  3. pp. 116-119
  4. DOI: 10.1353/cdr.2017.0009
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  1. British Drama of the Industrial Revolution by Frederick Burwick (review)
  2. Kristina Straub
  3. pp. 119-122
  4. DOI: 10.1353/cdr.2017.0010
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  1. Staging the Peninsular War: English Theatres 1807–1815 by Susan Valladares (review)
  2. Dana Van Kooy
  3. pp. 122-125
  4. DOI: 10.1353/cdr.2017.0011
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  1. Brief Notices
  2. pp. 127-130
  3. DOI: 10.1353/cdr.2017.0012
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  1. Contributors
  2. pp. 131-133
  3. DOI: 10.1353/cdr.2017.0013
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