1. Agentive Objects and Protestant Idolatry in Arden of Faversham
  2. John Henry Adams
  3. pp. 231-251
  4. DOI: 10.1353/sel.2017.0010
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  1. Shakespeare's Comedies, The Passionate Pilgrim, and the Idea of a Reading Public
  2. Cordelia Zukerman
  3. pp. 253-274
  4. DOI: 10.1353/sel.2017.0011
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  1. Much Ado about Dancing
  2. Anny Crunelle-Vanrigh
  3. pp. 276-301
  4. DOI: 10.1353/sel.2017.0012
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  1. Circling the Nuptial in As You Like It and Much Ado about Nothing
  2. Nathaniel C. Leonard
  3. pp. 303-323
  4. DOI: 10.1353/sel.2017.0013
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  1. The Petition on the Early English Stage
  2. Scott Oldenburg
  3. pp. 325-347
  4. DOI: 10.1353/sel.2017.0014
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  1. Ben Jonson's Antagonistic Style, Public Opinion, and Sejanus
  2. Victor Lenthe
  3. pp. 349-368
  4. DOI: 10.1353/sel.2017.0015
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  1. Macduff's Son and the Queer Temporality of Macbeth
  2. Amanda Zoch
  3. pp. 369-388
  4. DOI: 10.1353/sel.2017.0016
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  1. Resistance Theory, Antigonus, and the Bear in The Winter's Tale
  2. Philip Goldfarb Styrt
  3. pp. 389-406
  4. DOI: 10.1353/sel.2017.0017
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  1. Adoptive Names in Thomas Middleton's Women Beware Women
  2. Erin Ellerbeck
  3. pp. 407-426
  4. DOI: 10.1353/sel.2017.0018
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  1. Recent Studies in Tudor and Stuart Drama
  2. Kevin Curran
  3. pp. 427-474
  4. DOI: 10.1353/sel.2017.0019
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