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In this Issue

Table of Contents

  1. Fixity, Flexibility, and Compositional Process in Old Hispanic Chant
  2. Emma Hornby, Rebecca Maloy
  3. pp. 547-574
  4. restricted access
  1. Mozart's Italianate Response to Haydn's Opus 33
  2. Stephanie Klauk, Rainer Kleinertz
  3. pp. 575-621
  4. restricted access
  1. Jurisprudence v Musicology: Riffs from the Land Down Under
  2. Chris May
  3. pp. 622-646
  4. restricted access
  1. The 'Ars Musica' Attributed to Magister Lambertus/Aristoteles ed. by Christian Meyer (review)
  2. Stefano Mengozzi
  3. pp. 647-649
  4. restricted access
  1. Magister Jacobus de Ispania, Author of the Speculum Musicae by Margaret Bent (review)
  2. Stefano Mengozzi
  3. pp. 649-650
  4. restricted access
  1. Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy by Rebecca Cypess (review)
  2. Naomi J. Barker
  3. pp. 650-652
  4. restricted access
  1. À la croisée des arts: Sublime et musique religieuse en Europe (XVIIe-XVIIIe siècles) ed. by Sophie Hache and Thierry Favier (review)
  2. Jean-Paul Montagnier
  3. pp. 652-653
  4. restricted access
  1. The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 ed. by Robert Adelson, Alain Roudier, Jenny Nex, et al. (review)
  2. Rohan Stewart-Macdonald
  3. pp. 653-655
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  1. Poetry and the Thought of Song in Nineteenth-Century Britain by Elizabeth K. Helsinger (review)
  2. Caroline A. Ardrey
  3. pp. 655-657
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  1. Fotoalbum Ludevίta Procházky z let 1862–1888 ed. by Jana Vojtěžková and Jiřί J. Kroupa (review)
  2. John Tyrrell
  3. pp. 657-659
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  1. Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds by Peter Franklin (review)
  2. Amanda Hsieh
  3. pp. 659-661
  4. restricted access
  1. Piano Sonata in E Major Op. 109. Beethoven's Last Piano Sonatas: An Edition with Elucidation by Heinrich Schenker, and: Piano Sonata in A flat Major Op. 110. Beethoven's Last Piano Sonatas: An Edition with Elucidation by Heinrich Schenker, and: Piano Sonata in C Minor Op. 111. Beethoven's Last Piano Sonatas: An Edition with Elucidation by Heinrich Schenker, and: Piano Sonata in A Major Op. 101. Beethoven's Last Piano Sonatas: An Edition with Elucidation by Heinrich Schenker (review)
  2. William Rothstein
  3. pp. 661-663
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  1. The Early Film Music of Dmitry Shostakovich by Joan Titus (review)
  2. Fiona Ford
  3. pp. 663-665
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  1. Schoenberg and Redemption by Julie Brown (review)
  2. Steven J. Cahn
  3. pp. 665-667
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  1. The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward ed. by M. J. Grant and Imke Misch (review)
  2. Martin Iddon
  3. pp. 667-669
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  1. Harrison Birtwistle Studies ed. by David Beard, Kenneth Gloag, and Nicholas Jones (review)
  2. Christopher Mark
  3. pp. 669-673
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  1. Meaning and Interpretation of Music in Cinema by David Neumeyer (review)
  2. Nick Poulakis
  3. pp. 673-675
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  1. Composing Electronic Music: A New Aesthetic by Curtis Roads (review)
  2. Nick Collins
  3. pp. 675-677
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  1. Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures ed. by Dorottya Fabian, Renee Timmers, and Emery Schubert (review)
  2. Michael Spitzer
  3. pp. 677-680
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  1. Music and Identity in Ireland and Beyond ed. by Mark Fitzgerald and John O'Flynn (review)
  2. Patrick Zuk
  3. pp. 681-682
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  1. Resounding Transcendence: Transition in Music, Religion, and Ritual ed. by Jeffers Engelhardt and Philip V. Bohlman (review)
  2. Mark Porter
  3. pp. 682-683
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  1. 'Music & Letters' Awards
  3. p. 686
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  1. Authors of Articles in This Issue
  3. p. 686
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  1. Reviews: Index: (Reviewers' Names in Parentheses)
  3. pp. 692-694
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  1. Books Received
  3. pp. 687-688
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