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In this Issue

Table of Contents

  1. In This Issue
  2. Malcolm Alan Compitello
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/hcs.2016.0035
  5. restricted access
  1. About The Artist: María José Jara de Marco
  2. Dr. Eva Karene Romero
  3. pp. 7-284
  4. DOI: https://doi.org/10.1353/hcs.2016.0036
  5. restricted access
  1. Mapping Chinatown in 1920s and 1930s Barcelona: How el Raval Became el Barrio Chino
  2. Mary Kate Donovan
  3. pp. 9-27
  4. DOI: https://doi.org/10.1353/hcs.2016.0037
  5. restricted access
  1. Nuptials Gone Awry, Empire in Decay: Crisis, Lo Cursi, and the Rhetorical Inventory of Blackness in Quevedo's "Boda de negros"
  2. Nicholas Jones
  3. pp. 29-47
  4. DOI: https://doi.org/10.1353/hcs.2016.0038
  5. restricted access
  1. From Afterlife to Afterimage: History Happens with Photography
  2. Patricia Keller
  3. pp. 49-74
  4. DOI: https://doi.org/10.1353/hcs.2016.0039
  5. restricted access
  1. Radio, género y vanguardia en México. "Estación radiodifusora" de Cube Bonifant
  2. Viviane Mahieux
  3. pp. 93-110
  4. DOI: https://doi.org/10.1353/hcs.2016.0041
  5. restricted access
  1. La España de Richard Ford: El contraste entre la imagen exótica y la descripción económica*
  2. Luis Perdices-de-Blas, Luis Ramos-Gorostiza
  3. pp. 111-135
  4. DOI: https://doi.org/10.1353/hcs.2016.0042
  5. restricted access
  1. A Hair Out of Paralyzed-Place: Frida Kahlo's Metaphoric Choreography
  2. Stephanie Sherman
  3. pp. 137-153
  4. DOI: https://doi.org/10.1353/hcs.2016.0043
  5. restricted access
  1. "Mi lector ideal es alguien que no piense como yo, pero con el que pueda encontrarme en lo que nos une y no en lo que nos separa." Entrevista a Javier de Isusi
  2. Montserrat Fuente-Camacho, Javier de Isusi
  3. pp. 155-171
  4. DOI: https://doi.org/10.1353/hcs.2016.0044
  5. restricted access
  1. Affect, Bodies, and Circulations in Contemporary Latin American Film
  2. Vinodh Venkatesh, María del Carmen Caña jiménez
  3. pp. 175-181
  4. DOI: https://doi.org/10.1353/hcs.2016.0045
  5. restricted access
  1. Neoliberalismo somático: Sentimientos y afectos en Malos hábitos
  2. María del Carmen
  3. pp. 183-202
  4. DOI: https://doi.org/10.1353/hcs.2016.0046
  5. restricted access
  1. Money, Love, and Flow in Twenty-First-Century Latin American Film: Understanding Affective Epistemological Capture as the Cultural Black Matter of Neoliberal Immanence
  2. Dierdra Reber
  3. pp. 203-216
  4. DOI: https://doi.org/10.1353/hcs.2016.0047
  5. restricted access
  1. Low-Intensity Necropolitics: Slow Violence and Migrant Bodies in Latin American Films
  2. Adrián Pérez-Melgosa
  3. pp. 217-236
  4. DOI: https://doi.org/10.1353/hcs.2016.0048
  5. restricted access
  1. The Aesthetics of Detachment
  2. Laura Podalsky
  3. pp. 237-254
  4. DOI: https://doi.org/10.1353/hcs.2016.0049
  5. restricted access
  1. Filming the Buenos Aires Café: Memory and Community in Bolivia and Bar, El Chino
  2. Amanda Holmes
  3. pp. 255-267
  4. DOI: https://doi.org/10.1353/hcs.2016.0050
  5. restricted access
  1. Capitán Latinoamérica: Affect, Bodies, and Circulations in the Superhero Genre
  2. Vinodh Venkatesh
  3. pp. 269-283
  4. DOI: https://doi.org/10.1353/hcs.2016.0051
  5. restricted access
  1. La modernidad insufrible: Roberto Bolaño en los límites de la literatura latinoamericana contemporánea by Oswaldo Zavala (review)
  2. Oswaldo Estrada
  3. pp. 285-286
  4. DOI: https://doi.org/10.1353/hcs.2016.0052
  5. restricted access
  1. Science Fiction in Argentina: Technologies of the Text in a Material Multiverse by Joanna Page (review)
  2. Larisa Maite Colón Rodríguez
  3. pp. 286-289
  4. DOI: https://doi.org/10.1353/hcs.2016.0053
  5. restricted access
  1. Senderos de violencia: Latinoamérica y sus narrativas armadas ed. by Oswaldo Estrada (review)
  2. Zaida Godoy Navarro
  3. pp. 289-291
  4. DOI: https://doi.org/10.1353/hcs.2016.0054
  5. restricted access
  1. Adicciones en la gran pantalla: drogas ilegales en el cine español desde el fin del franquismo hasta los inicios del siglo XXI by Jorge González del Pozo (review)
  2. Stephanie Saunders
  3. pp. 291-292
  4. DOI: https://doi.org/10.1353/hcs.2016.0055
  5. restricted access
  1. Una cultura de invernadero: trópico y civilización en Colombia (1808-1928) by Felipe Martínez Pinzón (review)
  2. Carlos Abreu Mendoza
  3. pp. 293-295
  4. DOI: https://doi.org/10.1353/hcs.2016.0056
  5. restricted access
  1. Buñuel en Toledo: arte público, acción cultural y vanguardia by María Soledad Fernández Utrera (review)
  2. Carolina Soria
  3. pp. 295-297
  4. DOI: https://doi.org/10.1353/hcs.2016.0057
  5. restricted access
  1. Sinergias: poesía, física y pintura en la España del siglo XX by Candelas Gala (review)
  2. W. Michael Mudrovic
  3. pp. 298-300
  4. DOI: https://doi.org/10.1353/hcs.2016.0058
  5. restricted access
  1. La imaginación hipotecada: aportaciones al debate sobre la precariedad del presente ed. by Palmar Álvarez-Blanco, Antonio Gómez L-Quiñones (review)
  2. Ellen Mayock
  3. pp. 301-304
  4. DOI: https://doi.org/10.1353/hcs.2016.0059
  5. restricted access
  1. Up Against the Wall: Re-Imagining the U.S.-Mexico Border by Edward S. Casey and Mary Watkins (review)
  2. Jillian Báez
  3. pp. 304-306
  4. DOI: https://doi.org/10.1353/hcs.2016.0060
  5. restricted access
  1. Formación literaria, hipertextos y web 2.0 en el marco educativo ed. by Osvaldo Cleger y José M. de Amo (review)
  2. Álvaro Baquero-Pecino
  3. pp. 306-307
  4. DOI: https://doi.org/10.1353/hcs.2016.0061
  5. restricted access
  1. After Human Rights: Literature, Visual Arts, and Film in Latin America, 1990-2010 by Fernando J. Rosenberg (review)
  2. Álvaro Baquero-Pecino
  3. pp. 307-309
  4. DOI: https://doi.org/10.1353/hcs.2016.0062
  5. restricted access
  1. Cultural Code: Video Games and Latin America by Phillip Penix-Tadsen (review)
  2. Daniel Calleros Villarreal
  3. pp. 309-310
  4. DOI: https://doi.org/10.1353/hcs.2016.0063
  5. restricted access
  1. Figurative Inquisitions: Conversion, Torture, and Truth in the Luso-Hispanic Atlantic by Erin Graff Zivin (review)
  2. Rolando Pérez
  3. pp. 310-313
  4. DOI: https://doi.org/10.1353/hcs.2016.0064
  5. restricted access
  1. They Call Me Supermensch by Shep Gordon (review)
  2. Laura Vázquez Blázquez
  3. pp. 313-314
  4. DOI: https://doi.org/10.1353/hcs.2016.0065
  5. restricted access
  1. Fragmented Histories, Racial Erasures, and Color-Blindness in Héctor Tobar's The Barbarian Nurseries
  2. Cara Kinnally
  3. pp. 75-91
  4. DOI: https://doi.org/10.1353/hcs.2016.0040
  5. restricted access

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