restricted access   Volume 20, 2016

Table of Contents

Special Section: Affect, Bodies, and Circulations in Contemporary Latin American Film

In This Issue

pp. 5-6
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About The Artist: María José Jara de Marco

pp. 7-284
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Essays

Mapping Chinatown in 1920s and 1930s Barcelona: How el Raval Became el Barrio Chino

pp. 9-27
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Nuptials Gone Awry, Empire in Decay: Crisis, Lo Cursi, and the Rhetorical Inventory of Blackness in Quevedo's "Boda de negros"

pp. 29-47
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From Afterlife to Afterimage: History Happens with Photography

pp. 49-74
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Fragmented Histories, Racial Erasures, and Color-Blindness in Héctor Tobar's The Barbarian Nurseries

pp. 75-91
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Radio, género y vanguardia en México. "Estación radiodifusora" de Cube Bonifant

pp. 93-110
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La España de Richard Ford: El contraste entre la imagen exótica y la descripción económica*

pp. 111-135
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A Hair Out of Paralyzed-Place: Frida Kahlo's Metaphoric Choreography

pp. 137-153
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Interview

"Mi lector ideal es alguien que no piense como yo, pero con el que pueda encontrarme en lo que nos une y no en lo que nos separa." Entrevista a Javier de Isusi

pp. 155-171
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Special Section: Affect, Bodies, and Circulations in Contemporary Latin American Film

Guest Editors: Vinodh Venkatesh and María del Carmen Caña Jiménez

Affect, Bodies, and Circulations in Contemporary Latin American Film

pp. 175-181
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Neoliberalismo somático: Sentimientos y afectos en Malos hábitos

pp. 183-202
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Money, Love, and Flow in Twenty-First-Century Latin American Film: Understanding Affective Epistemological Capture as the Cultural Black Matter of Neoliberal Immanence

pp. 203-216
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Low-Intensity Necropolitics: Slow Violence and Migrant Bodies in Latin American Films

pp. 217-236
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The Aesthetics of Detachment

pp. 237-254
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Filming the Buenos Aires Café: Memory and Community in Bolivia and Bar, El Chino

pp. 255-267
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Capitán Latinoamérica: Affect, Bodies, and Circulations in the Superhero Genre

pp. 269-283
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Book Reviews

La modernidad insufrible: Roberto Bolaño en los límites de la literatura latinoamericana contemporánea by Oswaldo Zavala (review)

pp. 285-286
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Science Fiction in Argentina: Technologies of the Text in a Material Multiverse by Joanna Page (review)

pp. 286-289
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Senderos de violencia: Latinoamérica y sus narrativas armadas ed. by Oswaldo Estrada (review)

pp. 289-291
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Adicciones en la gran pantalla: drogas ilegales en el cine español desde el fin del franquismo hasta los inicios del siglo XXI by Jorge González del Pozo (review)

pp. 291-292
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Una cultura de invernadero: trópico y civilización en Colombia (1808-1928) by Felipe Martínez Pinzón (review)

pp. 293-295
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Buñuel en Toledo: arte público, acción cultural y vanguardia by María Soledad Fernández Utrera (review)

pp. 295-297
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Sinergias: poesía, física y pintura en la España del siglo XX by Candelas Gala (review)

pp. 298-300
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La imaginación hipotecada: aportaciones al debate sobre la precariedad del presente ed. by Palmar Álvarez-Blanco, Antonio Gómez L-Quiñones (review)

pp. 301-304
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Up Against the Wall: Re-Imagining the U.S.-Mexico Border by Edward S. Casey and Mary Watkins (review)

pp. 304-306
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Formación literaria, hipertextos y web 2.0 en el marco educativo ed. by Osvaldo Cleger y José M. de Amo (review)

pp. 306-307
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After Human Rights: Literature, Visual Arts, and Film in Latin America, 1990-2010 by Fernando J. Rosenberg (review)

pp. 307-309
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Cultural Code: Video Games and Latin America by Phillip Penix-Tadsen (review)

pp. 309-310
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Figurative Inquisitions: Conversion, Torture, and Truth in the Luso-Hispanic Atlantic by Erin Graff Zivin (review)

pp. 310-313
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They Call Me Supermensch by Shep Gordon (review)

pp. 313-314
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