1. Editorial
  2. John Howell
  3. p. 1
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  1. Glenn Branca: Interview with John Howell
  2. pp. 4-10
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  1. Semio-Sex: New Wave Rock and the Feminine
  2. Dan Graham
  3. pp. 12-17
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  1. Notes on Notes: Performance/Music/Records
  2. John Howell
  3. pp. 18-21
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  1. Soho’s Bourgeois Gentilhomme: Douglas Davis
  2. Bonnie Marranca
  3. pp. 22-25
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  1. Solos and Tableaux
  2. John Howell
  3. pp. 26-30
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  1. Riot Acts
  2. Michael Earley
  3. pp. 32-35
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  1. Stuart Sherman’s Spectacles: De-Eroticizing the Object
  2. Gautam Dasgupta
  3. pp. 36-38
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  1. Anton’s Agon
  2. David Rieff
  3. pp. 38-39
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  1. One Year at a Time: Sam Hsieh’s Annual Acts
  2. Barry Kahn
  3. pp. 40-42
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  1. Our Town Our Country
  2. Bonnie Marranca
  3. pp. 43-46
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  1. Chills and Thrills
  2. John Howell
  3. pp. 47-51
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  1. A World of Colour
  2. Patricia Jones
  3. pp. 52-54
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  1. Women in Cages and Male Men
  2. Lenora Champagne
  3. pp. 55-57
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  1. Fresh Blood
  2. Charles Frederick
  3. pp. 58-59
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  1. Dance Sampler
  2. John Howell
  3. pp. 60-63
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  1. Breaking in the Kitchen
  2. John Howell
  3. pp. 64-65
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  1. Four Choreographers: Interviews with Kaye, Self, Eginton, and Chuma
  2. John Howell
  3. pp. 66-79
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  1. Schemes
  2. Shelley Rice
  3. pp. 80-83
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  1. Performance in Place
  2. Sally Randall
  3. pp. 84-87
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  1. Hello Walls
  2. John Howell
  3. pp. 88-89
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  1. CBTV: Video by Chris Burden
  2. Ann Sargent-Wooster
  3. pp. 90-94
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  1. Dressing Up Acting Out
  2. Tony Whitfield
  3. pp. 95-97
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  1. Dancing in the Land Where Children are the Light
  2. Ann Sarcent-Wooster
  3. pp. 98-99
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  1. Cal Acts: L.A. Public Spirit Festival
  2. Steve Fritz
  3. pp. 100-104
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  1. Cal Acts: S.F.
  2. Robert Atkins
  3. pp. 106-107
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  1. Cal Books
  2. Robert Coe
  3. pp. 108-109
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  1. Living Room Theater: England’s Acme Acting Co.
  2. Stuart Cosgrove
  3. pp. 110-112
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  1. Is Isolation the End of Art?
  2. Helena Kontova
  3. pp. 113-116
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  1. Toronto Report
  2. Martha Fleming
  3. pp. 117-119
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  1. Spaces and Fests
  2. Tobler Lugo
  3. p. 120
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