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In this Issue

Table of Contents

Articles

  1. Dunn on Dancing
  2. John Howell, Douglas Dunn
  3. pp. 2-9
  4. restricted access
  1. The Social Performer
  2. Bruce Barber
  3. pp. 10-13
  4. restricted access
  1. Les Chaises D’Antan
  2. Ann Sargent Wooster
  3. pp. 14-17
  4. restricted access
  1. R.E.: Croce
  2. Yvonne Rainer, Meredith Monk, Kenneth King
  3. pp. 18-22
  4. restricted access
  1. Sister Suzie Cinema
  2. Patricia Jones, Tony Mascatello
  3. pp. 23-26
  4. restricted access
  1. F.Y.I.: Moma
  2. Daryl Chin, Cee Brown
  3. pp. 27-28
  4. restricted access
  1. Czech Mail
  2. Petr Stembera
  3. p. 29
  4. restricted access
  1. Between the Covers
  2. Tony Whitfield
  3. pp. 30-32
  4. restricted access

Reviews

  1. La Frontera by Ed Friedman, and: Disclosure on All and Everything (Part 1) by Larry Miller, and: Aleatoire Je Ne Sais Quoi by Ralston Farina (review)
  2. John Howell
  3. pp. 33-34
  4. restricted access
  1. Nests and En – Trances by William Hellermnann (review)
  2. Debbe Goldstein
  3. pp. 34-35
  4. restricted access
  1. Film and Video Festival (review)
  2. Ingrid Nyeboe
  3. pp. 35-36
  4. restricted access
  1. Union Specific by Cindy Lubar, Garry Reigenborn, and: Camptown by Pooh Kaye, et al, and: Ragged Valley by Yoshiko Chuna (review)
  2. Lenora Champagne
  3. pp. 36-38
  4. restricted access
  1. Vented Trilogy Quiz or Monkey Man by Paul McCarthy (review)
  2. Nancy Buchanan
  3. pp. 38-39
  4. restricted access
  1. On the Road Again by Lyndal Jones (review)
  2. Daryl Chin
  3. p. 39
  4. restricted access
  1. Stuart Sherman’s Twelfth Spectacle (Language) plus 3 sound pieces and some short films, and: A Killer’s Loose but Nobody’s Talking by Richard Gallo, Sheryl Sutton (review)
  2. Lenora Champagne
  3. pp. 39-40
  4. restricted access
  1. Dialog/Curious George by Robert Wilson, Christopher Knowles, and: Exotic Landlordism of the World by Jack Smith (review)
  2. John Howell
  3. pp. 40-42
  4. restricted access
  1. Evelyn Brown by Maria Irene Fornes (review)
  2. Bonnie Marranca
  3. p. 42
  4. restricted access
  1. Audience at Large by Steve Busa, and: Disparate Actions/Desperate Actions by Chris Kraus (review)
  2. Lenora Champagne
  3. pp. 43-44
  4. restricted access
  1. Kiss Me, Kill Me by Badomi De Cesare, and: Victims & Victimization: A Question of Fit by David Antin (review)
  2. Nancy Jones
  3. pp. 44-45
  4. restricted access
  1. The Survivor and the Translator by Leeny Sack, and: Uncle Mario by Mario Prosperi (review)
  2. Lenora Champagne
  3. pp. 45-46
  4. restricted access