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Table of Contents

Articles

  1. Front Porch
  2. Harry Watson
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/scu.2017.0000
  5. restricted access
  1. Trying to Get Appalachia Less Wrong: A Modest Approach
  2. Elizabeth S. D. Engelhardt
  3. pp. 4-9
  4. DOI: https://doi.org/10.1353/scu.2017.0001
  5. restricted access
  1. Documentary Noise: The Soundscape of Barbara Kopple's Harlan County, U.S.A.
  2. Grace Elizabeth Hale
  3. pp. 10-32
  4. DOI: https://doi.org/10.1353/scu.2017.0002
  5. restricted access
  1. Almost Heaven
  2. Aaron Blum
  3. pp. 33-48
  4. DOI: https://doi.org/10.1353/scu.2017.0003
  5. restricted access
  1. Icon and Identity: Dolly Parton's Hillbilly Appeal
  2. Graham Hoppe
  3. pp. 49-62
  4. DOI: https://doi.org/10.1353/scu.2017.0004
  5. restricted access
  1. Banjo Boy: Masculinity, Disability, and Difference in Deliverance
  2. Anna Creadick
  3. pp. 63-78
  4. DOI: https://doi.org/10.1353/scu.2017.0005
  5. restricted access
  1. "Well, We're Fabulous and We're Appalachians, So We're Fabulachians": Country Queers in Central Appalachia
  2. Rachel Garringer
  3. pp. 79-91
  4. DOI: https://doi.org/10.1353/scu.2017.0006
  5. restricted access
  1. In-Between the Color Lines with a Spy Camera: The Appalachian Urban Folk Photography of Isaiah Rice
  2. Darin J. Waters, Gene Hyde, Kenneth Betsalel
  3. pp. 92-113
  4. DOI: https://doi.org/10.1353/scu.2017.0007
  5. restricted access
  1. Pearl S. Buck, It's Not You, It's Me
  2. Jolie Lewis
  3. pp. 114-122
  4. DOI: https://doi.org/10.1353/scu.2017.0008
  5. restricted access
  1. Semantic Relations
  2. Adrian Blevins
  3. p. 123
  4. DOI: https://doi.org/10.1353/scu.2017.0009
  5. restricted access
  1. Contributors
  3. p. 124
  4. DOI: https://doi.org/10.1353/scu.2017.0010
  5. restricted access