restricted access   Volume 50, Number 2, 2017

Table of Contents


Science, Culture and Epigenetics

p. 118

Artists’ Article

Art-Science Interactions in the Destruction of an Archive: The after | image Project

pp. 121-126

Artists’ Notes

Scanning, Framing and Close-Up: Reimaging the Brain in 265 Looping Snapshots

pp. 127-131

Mestizo Robotics

pp. 132-137

Abject Digital Performance: Engaging the Politics of Electronic Waste

pp. 138-142

General Articles

A Study on Proprioception and Peripheral Vision in Synesthesia and Immersion

pp. 144-151

Evidentiary Earthquakes: Design and Discontinuity through Seismic Methods

pp. 152-159

Electronic Media Art from China: New Visions Bring Messages from the Distant Past

pp. 160-169

A Strong Couple: New Media and Socially Engaged Art

pp. 170-176

General Note

Rule-Based Automatic Generation of Logo Designs

pp. 177-181


Reactivating the Neural Dimension Role in Interactive Arts

pp. 182-183

Abstract of "Cognitive Innovation: A View from the Bridge"

pp. 184-185

Annie and the Shaman: Exploring Data Via Provocative Artifacts

pp. 186-187

Acoustic Ecology Data Transmitter in Exclusion Zone, 10 km from Fukushima Daiichi Nuclear Power Plant

pp. 188-189

The Brain as Muse: Bridging Art and Neuroscience

pp. 190-191

Retro-Engineering and Alternative Histories: Possible Roads Toward Media Archaeological Reconstruction

pp. 192-193

Special Section: Art and Cancer

Art and Cancer

p. 194

3D Bio-Printing: An Introduction to a New Approach for Cancer Patients at the Interface of Art and Medicine

pp. 195-196

Et in Arcadia EGO: Addressing Cancer, Death and Immortality Using Science

pp. 197-198

Highlights from the IEEE VIS 2014 Arts Program (VISAP'14): Part 2

p. 199

Data in Context: Conceptualizing Site-Specific Visualization Projects

pp. 200-204

Beyond Data: Abstract Motionscapes as Affective Visualization

pp. 205-206

The Living Canvas: Interactive Chloroplasts

pp. 207-208


pp. 209-210

Leonardo Reviews

The Challenge of Surrealism: The Correspondence of Theodor W. Adorno and Elisabeth Lenk ed. by Susan H. Gillespie (review)

pp. 211-213

Atari to Zelda: Japan's Videogames in Global Contexts by Mia Consalvo (review)

pp. 213-215

Holograms: A Cultural History by Sean F. Johnston (review)

pp. 215-216

Seen and Imagined: The World of Clifford Ross by Clifford Ross (review)

pp. 216-217

Avant Garde Museology by Arseny Zhilyaev (review)

pp. 217-218

William Henry Fox Talbot: Beyond Photography ed. by Mirjam Brusius, Katrina Dean and Chitra Ramalingam (review)

pp. 218-220

American Pulp: How Paperbacks Brought Modernism to Main Street by Jan Baetens (review)

pp. 220-221

Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity by Wolfgang Ernst (review)

pp. 221-222

Creativity Class: Art School and Culture Work in Posts Ocialist China by Lily Chumley (review)

pp. 222-223

Exposing the Film Apparatus: The Film Archive as a Research Laboratory ed. by Giovana Fossati and Annie van den Oever (review)

p. 224

Leonardo Network News

Leonardo Network News

pp. 225-226


Realization in Arts and Sciences

pp. 227-229