1. Science, Culture and Epigenetics
  2. Michael Punt
  3. p. 118
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  1. Art-Science Interactions in the Destruction of an Archive: The after | image Project
  2. Amanda Reichelt-Brushett, Grayson Cooke
  3. pp. 121-126
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  1. Scanning, Framing and Close-Up: Reimaging the Brain in 265 Looping Snapshots
  2. Silvia Casini
  3. pp. 127-131
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  1. Mestizo Robotics
  2. Gustavo Crembil, Paula Gaetano Adi
  3. pp. 132-137
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  1. Abject Digital Performance: Engaging the Politics of Electronic Waste
  2. Daniël Ploeger
  3. pp. 138-142
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  1. A Study on Proprioception and Peripheral Vision in Synesthesia and Immersion
  2. Marc Boucher
  3. pp. 144-151
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  1. Evidentiary Earthquakes: Design and Discontinuity through Seismic Methods
  2. Jennifer Ferng
  3. pp. 152-159
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  1. Electronic Media Art from China: New Visions Bring Messages from the Distant Past
  2. Jean M. Ippolito
  3. pp. 160-169
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  1. A Strong Couple: New Media and Socially Engaged Art
  2. Sjoukje Van Der Meulen
  3. pp. 170-176
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  1. Rule-Based Automatic Generation of Logo Designs
  2. Kang Zhang, Yi-Na Li, Dong-Jin Li
  3. pp. 177-181
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  1. Reactivating the Neural Dimension Role in Interactive Arts
  2. Diaa Ahmed Mohamed Ahmedien
  3. pp. 182-183
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  1. Abstract of "Cognitive Innovation: A View from the Bridge"
  2. Susan L. Denham, Michael Punt
  3. pp. 184-185
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  1. Annie and the Shaman: Exploring Data Via Provocative Artifacts
  2. Julian Kilker
  3. pp. 186-187
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  1. Acoustic Ecology Data Transmitter in Exclusion Zone, 10 km from Fukushima Daiichi Nuclear Power Plant
  2. Hill Hiroki Kobayashi, Hiromi Kudo
  3. pp. 188-189
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  1. The Brain as Muse: Bridging Art and Neuroscience
  2. Patricia Maurides, Marlene Behrmann
  3. pp. 190-191
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  1. Retro-Engineering and Alternative Histories: Possible Roads Toward Media Archaeological Reconstruction
  2. Morgane Stricot
  3. pp. 192-193
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  1. Art and Cancer
  2. Dhruba Deb
  3. p. 194
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  1. Et in Arcadia EGO: Addressing Cancer, Death and Immortality Using Science
  2. Charlotte Jarvis, Hans Clevers
  3. pp. 197-198
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  1. Highlights from the IEEE VIS 2014 Arts Program (VISAP'14): Part 2
  2. Angus Forbes, Fanny Chevalier
  3. p. 199
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  1. Data in Context: Conceptualizing Site-Specific Visualization Projects
  2. George Legrady, Angus Graeme Forbes
  3. pp. 200-204
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  1. Beyond Data: Abstract Motionscapes as Affective Visualization
  2. Chao Feng, Lyn Bartram, Diane Gromala
  3. pp. 205-206
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  1. The Living Canvas: Interactive Chloroplasts
  2. Margaret Dolinsky, Roger P. Hangarter
  3. pp. 207-208
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  1. Culturegraphy
  2. Kim Albrecht, Marian Dörk, Boris Müller
  3. pp. 209-210
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  1. The Challenge of Surrealism: The Correspondence of Theodor W. Adorno and Elisabeth Lenk ed. by Susan H. Gillespie (review)
  2. Kieran Lyons
  3. pp. 211-213
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  1. Atari to Zelda: Japan's Videogames in Global Contexts by Mia Consalvo (review)
  2. James Sweeting
  3. pp. 213-215
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  1. Holograms: A Cultural History by Sean F. Johnston (review)
  2. Jan Baetens
  3. pp. 215-216
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  1. Seen and Imagined: The World of Clifford Ross by Clifford Ross (review)
  2. Cecilia Wong
  3. pp. 216-217
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  1. Avant Garde Museology by Arseny Zhilyaev (review)
  2. Amanda Egbe
  3. pp. 217-218
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  1. William Henry Fox Talbot: Beyond Photography ed. by Mirjam Brusius, Katrina Dean and Chitra Ramalingam (review)
  2. Amy Ione
  3. pp. 218-220
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  1. American Pulp: How Paperbacks Brought Modernism to Main Street by Jan Baetens (review)
  2. Jan Baetens
  3. pp. 220-221
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  1. Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity by Wolfgang Ernst (review)
  2. Rob Harle
  3. pp. 221-222
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  1. Creativity Class: Art School and Culture Work in Posts Ocialist China by Lily Chumley (review)
  2. Giovanna Costantini
  3. pp. 222-223
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  1. Exposing the Film Apparatus: The Film Archive as a Research Laboratory ed. by Giovana Fossati and Annie van den Oever (review)
  2. Mike Leggett
  3. p. 224
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  1. Leonardo Network News
  2. Stacy Jerger
  3. pp. 225-226
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  1. Realization in Arts and Sciences
  2. Lewis Pyenson
  3. pp. 227-229
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  1. 3D Bio-Printing: An Introduction to a New Approach for Cancer Patients at the Interface of Art and Medicine
  2. Eugen Bogdan Petcu
  3. pp. 195-196
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