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Table of Contents

  1. Before and after the Fact: Writing and Reading Hitchcock's Suspicion
  2. Rick Worland
  3. pp. 3-26
  4. DOI: https://doi.org/10.1353/cj.2002.0018
  5. restricted access
  1. Global Cinderella: Sabrina (1954), Hollywood, and Postwar Internationalism
  2. Dina M. Smith
  3. pp. 27-51
  4. DOI: https://doi.org/10.1353/cj.2002.0016
  5. restricted access
  1. Hollywood Musicals and the Invention of Rio de Janeiro, 1933-1953
  2. Bianca Freire-Medeiros
  3. pp. 52-67
  4. DOI: https://doi.org/10.1353/cj.2002.0014
  5. restricted access
  1. The Wild East: Deconstructing the Language of Genre in the Hollywood Eastern
  2. John C. Eisele
  3. pp. 68-94
  4. DOI: https://doi.org/10.1353/cj.2002.0013
  5. restricted access
  1. Post-Trauma and Historical Remembrance in Recent South Korean Cinema: Reading Park Kwang-su's A Single Spark (1995) and Chang Sǒn-u's A Petal (1996)
  2. Kim Kyung Hyum
  3. pp. 95-115
  4. DOI: https://doi.org/10.1353/cj.2002.0015
  5. restricted access
  1. Fellini's Portrait of the Artist as Creative Problem Solver
  2. John C. Stubbs
  3. pp. 116-131
  4. DOI: https://doi.org/10.1353/cj.2002.0017
  5. restricted access