restricted access   Volume 44, Number 1, Spring 2017

Table of Contents

Editors’ Page

pp. 1-2
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Fiction

City Light

pp. 3-18
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Touring

pp. 19-36
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The Chevrolet Girl

pp. 37-52
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Lights

pp. 53-66
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Nonfiction

Silent Impacts

pp. 67-82
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Searching for the Duck Hole

pp. 83-100
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Taxi Sutra

pp. 101-113
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Poetry

Green Proofs

pp. 114-115
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Every Doorframe Holds Tight

p. 116
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The Architects: Ohio Valley, 200 CE

p. 117
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Power

pp. 118-119
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Locked in Plasma

p. 120
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The Wonderfully Clear Transition

p. 121
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Sexy Movimiento

pp. 122-123
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Moon. Kathryn Cowles. Oil on canvas. 2012., and: Clouds. Kathryn Cowles. Acrylic on canvas. 2013

pp. 124-126
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Emergen(ce) of Feeling: for Emily Carr

p. 127
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Metaphysical Citrus

p. 128
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Untitled

p. 129
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Fog

pp. 130-132
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First Illustration of the Huttonian Theory of the Earth

p. 133
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Sonnet

p. 134
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The Hummingbird

p. 135
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Clepsydra

p. 136
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Words for Those Who Come After: Fort Belknap Agency, Montana

p. 137
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Self Portrait After Francis Bacon

p. 138
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Unselved

p. 139
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Genesis, and: Hagar and Sarai, and: Remembering Being Is Birth, and: Natality

pp. 140-145
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Aphelion

p. 146
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Concave/Convex

p. 147
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Where Are the Words?

p. 148
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Four Short Essays

p. 149
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Door at the End of a Hallway

p. 150
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Arroyo

pp. 151-152
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In the Far South the Sun of Autumn Is Passing

pp. 153-156
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Sanctum, and: Civil Twilight, and: The Great Indoors

pp. 157-161
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Let Comfort Come

p. 162
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Stadium Lights

p. 163
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Forest

pp. 164-165
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Santa Barbara

p. 166
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Chaïm Soutine, Flailing Trees, and: “Chaïm Soutine, Le Vieux Moulin 1922-1923”

pp. 167-170
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Take Two: Sidekicks

p. 171
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Never is Burning, Caught

p. 172
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Parable

p. 173
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Contributor Notes

pp. 174-179
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