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In this Issue

Table of Contents

  1. Walt Kelly’s Pogo and the Politics of De/Re-racialization in Midcentury Comics
  2. Kerry Soper
  3. pp. 4-26
  4. DOI: https://doi.org/10.1353/ink.2017.0001
  5. restricted access
  1. A Contract with God, The First Kingdom, and the ‘Graphic Novel’: The Will Eisner / Jack Katz Letters
  2. Andrew J. Kunka
  3. pp. 27-39
  4. DOI: https://doi.org/10.1353/ink.2017.0002
  5. restricted access
  1. The Political is Personal: Dual Domesticity in Dykes to Watch Out For
  2. Susan Kirtley
  3. pp. 40-55
  4. DOI: https://doi.org/10.1353/ink.2017.0003
  5. restricted access
  1. Roundtable: Comics and Methodology
  2. Blair Davis, Bart Beaty, Scott Bukatman, Henry Jenkins, Benjamin Woo
  3. pp. 56-74
  4. DOI: https://doi.org/10.1353/ink.2017.0004
  5. restricted access
  1. Before the Underground: Jay Lynch, Art Spiegelman, Skip Williamson and the Fanzine Culture of the Early 1960s
  2. Jared Gardner
  3. pp. 75-99
  4. DOI: https://doi.org/10.1353/ink.2017.0005
  5. restricted access
  1. Comics Professionals on Comics Studies
  2. Caitlin McGurk
  3. pp. 100-110
  4. DOI: https://doi.org/10.1353/ink.2017.0006
  5. restricted access
  1. The New Mutants: Superheroes and the Radical Imagination of American Comics by Ramzi Fawaz (review)
  2. Marc Singer
  3. pp. 111-117
  4. DOI: https://doi.org/10.1353/ink.2017.0007
  5. restricted access
  1. Krazy: George Herriman, A Life in Black and White by Michael Tisserand (review)
  2. Christopher Jeansonne
  3. pp. 117-120
  4. DOI: https://doi.org/10.1353/ink.2017.0008
  5. restricted access
  1. Introduction: (No Soapbox, Radio)
  2. Jared Gardner
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/ink.2017.0000
  5. restricted access
  1. Contributors
  2. pp. 121-123
  3. DOI: https://doi.org/10.1353/ink.2017.0009
  4. restricted access