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  Volume 24, Number 1, January 2017

Table of Contents

Special Section:


Esperantic Modernism: Joyce, Universal Language, and Political Gesture

pp. 1-21

“Addicted to the lubric a little”: Spectacle, Speculation, and the Language of Flow in Ulysses

pp. 23-43

Becoming “James Overman”: Joyce, Nietzsche, and the Uncreated Conscience of the Irish

pp. 45-66

Planetary Parallax: Ulysses, the Stars, and South Africa

pp. 67-85

Robert Rauschenberg’s “Red Show”: Theater, Painting, and Queerness in 1950s Modernism

pp. 87-115

Modernism’s Anti-Advice

pp. 117-139

Mallarmé’s Madness: Poetry, Pedagogy, and Translation

pp. 141-160

Osip and Nadezhda Mandel’shtam and Soviet Utopianism

pp. 161-183


Fernand Léger’s Filmic Architecture

pp. 185-191

Book Reviews

The Ethnic Avant-Garde: Minority Cultures and World Revolution by Stephen S. Lee (review)

pp. 193-195

Behind the Masks of Modernism: Global and Transnational Perspectives ed. by Andrew Reynolds, Bonnie Roos (review)

pp. 195-198

Edge of Irony: Modernism in the Shadow of the Habsburg Empire by Marjorie Perloff (review)

pp. 198-200

“Women Artists and Futurism.” Special Issue, International Yearbook of Futurism Studies ed. by Günter Berghaus (review)

pp. 200-203

Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary Chute (review)

pp. 203-206

Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century by Kate Eichhorn (review)

pp. 206-208

The Pathos of Distance: Affects of the Moderns by Jean-Michel Rabaté (review)

pp. 208-210

History of a Shiver: The Sublime Impudence of Modernism by Jed Rasula (review)

pp. 211-212

The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf by Jesse Oak Taylor (review)

pp. 213-214

Recent Books of Interest

pp. 215-216

Research Areas


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