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  Volume 24, Number 1, January 2017

Table of Contents

Special Section:

Joyce/World/Joyce

Esperantic Modernism: Joyce, Universal Language, and Political Gesture

pp. 1-21
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“Addicted to the lubric a little”: Spectacle, Speculation, and the Language of Flow in Ulysses

pp. 23-43
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Becoming “James Overman”: Joyce, Nietzsche, and the Uncreated Conscience of the Irish

pp. 45-66
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Planetary Parallax: Ulysses, the Stars, and South Africa

pp. 67-85
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Robert Rauschenberg’s “Red Show”: Theater, Painting, and Queerness in 1950s Modernism

pp. 87-115
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Modernism’s Anti-Advice

pp. 117-139
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Mallarmé’s Madness: Poetry, Pedagogy, and Translation

pp. 141-160
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Osip and Nadezhda Mandel’shtam and Soviet Utopianism

pp. 161-183
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Gallery

Fernand Léger’s Filmic Architecture

pp. 185-191
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Book Reviews

The Ethnic Avant-Garde: Minority Cultures and World Revolution by Stephen S. Lee (review)

pp. 193-195
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Behind the Masks of Modernism: Global and Transnational Perspectives ed. by Andrew Reynolds, Bonnie Roos (review)

pp. 195-198
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Edge of Irony: Modernism in the Shadow of the Habsburg Empire by Marjorie Perloff (review)

pp. 198-200
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“Women Artists and Futurism.” Special Issue, International Yearbook of Futurism Studies ed. by Günter Berghaus (review)

pp. 200-203
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Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary Chute (review)

pp. 203-206
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Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century by Kate Eichhorn (review)

pp. 206-208
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The Pathos of Distance: Affects of the Moderns by Jean-Michel Rabaté (review)

pp. 208-210
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History of a Shiver: The Sublime Impudence of Modernism by Jed Rasula (review)

pp. 211-212
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The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf by Jesse Oak Taylor (review)

pp. 213-214
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Recent Books of Interest

pp. 215-216
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Research Areas

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