+ MUSE Alert

In this Issue

Table of Contents

  1. Esperantic Modernism: Joyce, Universal Language, and Political Gesture
  2. Nico Israel
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/mod.2017.0000
  5. restricted access
  1. “Addicted to the lubric a little”: Spectacle, Speculation, and the Language of Flow in Ulysses
  2. Christopher Kempf
  3. pp. 23-43
  4. DOI: https://doi.org/10.1353/mod.2017.0001
  5. restricted access
  1. Becoming “James Overman”: Joyce, Nietzsche, and the Uncreated Conscience of the Irish
  2. Patrick Bixby
  3. pp. 45-66
  4. DOI: https://doi.org/10.1353/mod.2017.0002
  5. restricted access
  1. Planetary Parallax: Ulysses, the Stars, and South Africa
  2. Cóilín Parsons
  3. pp. 67-85
  4. DOI: https://doi.org/10.1353/mod.2017.0003
  5. restricted access
  1. Robert Rauschenberg’s “Red Show”: Theater, Painting, and Queerness in 1950s Modernism
  2. Thomas Folland
  3. pp. 87-115
  4. DOI: https://doi.org/10.1353/mod.2017.0004
  5. restricted access
  1. Modernism’s Anti-Advice
  2. Beth Blum
  3. pp. 117-139
  4. DOI: https://doi.org/10.1353/mod.2017.0005
  5. restricted access
  1. Mallarmé’s Madness: Poetry, Pedagogy, and Translation
  2. Alexandra Lukes
  3. pp. 141-160
  4. DOI: https://doi.org/10.1353/mod.2017.0006
  5. restricted access
  1. Osip and Nadezhda Mandel’shtam and Soviet Utopianism
  2. Joshua Kotin
  3. pp. 161-183
  4. DOI: https://doi.org/10.1353/mod.2017.0007
  5. restricted access
  1. Fernand Léger’s Filmic Architecture
  2. Christopher Townsend
  3. pp. 185-191
  4. DOI: https://doi.org/10.1353/mod.2017.0008
  5. restricted access
  1. The Ethnic Avant-Garde: Minority Cultures and World Revolution by Stephen S. Lee (review)
  2. Jill Richards
  3. pp. 193-195
  4. DOI: https://doi.org/10.1353/mod.2017.0009
  5. restricted access
  1. Edge of Irony: Modernism in the Shadow of the Habsburg Empire by Marjorie Perloff (review)
  2. Scott W. Klein
  3. pp. 198-200
  4. DOI: https://doi.org/10.1353/mod.2017.0011
  5. restricted access
  1. Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary Chute (review)
  2. Eric Bulson
  3. pp. 203-206
  4. DOI: https://doi.org/10.1353/mod.2017.0013
  5. restricted access
  1. Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century by Kate Eichhorn (review)
  2. Chelsea Jennings
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/mod.2017.0014
  5. restricted access
  1. The Pathos of Distance: Affects of the Moderns by Jean-Michel Rabaté (review)
  2. Rochelle Rives
  3. pp. 208-210
  4. DOI: https://doi.org/10.1353/mod.2017.0015
  5. restricted access
  1. History of a Shiver: The Sublime Impudence of Modernism by Jed Rasula (review)
  2. Nicholas Vazsonyi
  3. pp. 211-212
  4. DOI: https://doi.org/10.1353/mod.2017.0016
  5. restricted access
  1. Recent Books of Interest
  2. pp. 215-216
  3. DOI: https://doi.org/10.1353/mod.2017.0018
  4. restricted access