1. Rewriting the “Whore’s Story” in Rétif’s Palais-royal
  2. Amy Wyngaard
  3. pp. 163-176
  4. DOI: 10.1353/frf.2016.0024
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  1. Theorizing the Scapegoat in Maupassant and Zola
  2. Roderick Cooke
  3. pp. 177-191
  4. DOI: 10.1353/frf.2016.0028
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  1. What Dies in the Street: Camus’s La Peste and Infected Networks
  2. Macs Smith
  3. pp. 193-208
  4. DOI: 10.1353/frf.2016.0020
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  1. De la fiction et de la question du transnational chez Albert Camus
  2. Laura Klein
  3. pp. 209-224
  4. DOI: 10.1353/frf.2016.0032
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  1. “Au tapin! Saisis ta plume!”: Régler les comptes de l’Histoire sur le terrain de la prose française
  2. Morgane Cadieu
  3. pp. 225-240
  4. DOI: 10.1353/frf.2016.0033
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  1. The “Business” of Violence in Yasmina Reza’s God of Carnage
  2. Helene Jaccomard
  3. pp. 241-255
  4. DOI: 10.1353/frf.2016.0030
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  1. A Schizophrenia That Wasn’t One: Édouard Glissant and Poetry, Painting and Politics in 1950s Paris
  2. Suzy Cater
  3. pp. 257-272
  4. DOI: 10.1353/frf.2016.0034
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  1. Entretien avec Fabienne Kanor, “l’Ante-llaise par excellence”: Sexualité, corporalité, diaspora et créolité
  2. Gladys Francis
  3. pp. 273-288
  4. DOI: 10.1353/frf.2016.0035
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  1. The Would-Be Author: Molière and the Comedy of Print by Michael Call (review)
  2. Perry Gethner
  3. pp. 303-306
  4. DOI: 10.1353/frf.2016.0029
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  1. Correspondance de Madame de Graffigny. Tome 15 (1 January 1756–10 November 1759). Lettres 2304–2518 by D. W. Smith (review)
  2. Joan DeJean
  3. pp. 306-308
  4. DOI: 10.1353/frf.2016.0021
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  1. Mirror Gazing by Warren Motte (review)
  2. Andrew Sobanet
  3. pp. 308-311
  4. DOI: 10.1353/frf.2016.0031
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  1. Germaine Dulac: A Cinema of Sensations by Tami Williams (review)
  2. Margaret C. Flinn
  3. pp. 311-313
  4. DOI: 10.1353/frf.2016.0025
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  1. Creoles Renegades: Rhetoric of Betrayal and Guilt in the Caribbean Diaspora by Bénédicte Boisseron (review)
  2. Abigail E. Celis
  3. pp. 316-319
  4. DOI: 10.1353/frf.2016.0023
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  1. Books Received
  2. pp. 321-322
  3. DOI: 10.1353/frf.2016.0027
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