1. Still: Sarah Kane after Beckett and Joy Division
  2. Martin Harries
  3. pp. 1-24
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  1. Dramatizing Queer Visibility in El público: Federico García Lorca in Search of a Modern Theatre
  2. Ben De Witte
  3. pp. 25-45
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  1. Samuel Beckett’s Krapp’s Last Tape: Remembering Kant, Forgetting Proust
  2. Sue Wilson
  3. pp. 46-68
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  1. Taphonomic Historiography: Excavating and Exhuming the Past in Suzan-Lori Parks’s The America Play
  2. Angenette Spalink
  3. pp. 69-88
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  1. Looking After the Drainage: Health, Marketing, and the Turkish Bath in Bernard Shaw’s Misalliance
  2. Christopher Wixson
  3. pp. 89-112
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  1. All Dressed Up: Modern Irish Historical Pageantry by Joan FitzPatrick Dean (review)
  2. Anthony Roche
  3. pp. 113-115
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  1. Reckoning with Spirit in the Paradigm of Performance by Donnalee Dox (review)
  2. Claire Maria Chambers
  3. pp. 115-118
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  1. Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power by Frode Helland (review)
  2. Errol Durbach
  3. pp. 118-120
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  1. The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North by Douglas A. Jones, Jr. (review)
  2. Tavia Nyong’o
  3. pp. 121-123
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  1. The Theatre of David Henry Hwang by Esther Kim Lee (review)
  2. Miseong Woo
  3. pp. 123-126
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  1. Grotowski’s Bridge Made of Memory: Embodied Memory, Witnessing and Transmission in the Grotowski Work by Dominika Laster (review)
  2. Kris Salata
  3. pp. 126-128
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  1. Skin Acts: Race, Psychoanalysis, and the Black Male Performer by Michelle Ann Stephens (review)
  2. Tina Post
  3. pp. 128-130
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  1. Plowed Under: Food Policy Protests and Performance in New Deal America by Ann Folino White (review)
  2. Barry B. Witham
  3. pp. 130-132
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