1. Editor’s Note: Fall 2016
  2. Rebecca Rovit
  3. pp. 1-2
  4. DOI: 10.1353/dtc.2016.0018
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  1. Boy Actors and Early Modern Disability Comedy in The Knight of the Burning Pestle and Epicœne
  2. Lauren Coker
  3. pp. 5-21
  4. DOI: 10.1353/dtc.2016.0019
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  1. “Canst thou not minister to a mind diseased”: The Clinical Gaze in the National Theatre of Scotland’s Macbeth
  2. Ian Faith
  3. pp. 23-43
  4. DOI: 10.1353/dtc.2016.0020
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  1. The Poetry of Madness: Plato’s Ion and the Psychology of Acting
  2. Jeff Kaplan
  3. pp. 45-64
  4. DOI: 10.1353/dtc.2016.0021
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  1. A Drama of Potentialities—Toward an Ontology
  2. Zornitsa Dimitrova
  3. pp. 65-85
  4. DOI: 10.1353/dtc.2016.0022
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  1. Mimetic Theory: Rivalry, Violence, Scapegoat—Theatre and Drama through the Lens of René Girard
  2. Matthew Yde
  3. pp. 87-108
  4. DOI: 10.1353/dtc.2016.0023
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  1. Reflections of Hippolytus: An Examination of Sexuality through Adaptation
  2. Kevin Calcamp
  3. pp. 109-127
  4. DOI: 10.1353/dtc.2016.0024
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  1. Comparative Modernist Performance Studies: A Not So Modest Proposal
  2. Julia A. Walker, Glenn Odom
  3. pp. 129-153
  4. DOI: 10.1353/dtc.2016.0025
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  1. Shakespeare’s Universality: Here’s Fine Revolution by Kiernan Ryan (review)
  2. Connelly Akstens
  3. pp. 157-158
  4. DOI: 10.1353/dtc.2016.0026
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  1. The Columbia Anthology of Modern Japanese Drama ed. by J. Thomas Rimer, Mitsuya Mori, and M. Cody Poulton (review)
  2. Jyana S. Browne
  3. pp. 159-160
  4. DOI: 10.1353/dtc.2016.0027
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  1. Acting Stanislavski: A Practical Guide to Stanislavski’s Approach and Legacy by John Gillett (review)
  2. Tom Cooper
  3. pp. 161-162
  4. DOI: 10.1353/dtc.2016.0028
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  1. Theatre/Performance Historiography: Time, Space, Matter ed. by Rosemarie K. Bank and Michal Kobialka (review)
  2. Scott R. Irelan
  3. pp. 163-165
  4. DOI: 10.1353/dtc.2016.0029
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  1. Sex and War on the American Stage: Lysistrata in Performance, 1930-2012 by Emily B. Klein (review)
  2. Jenna L. Kubly
  3. pp. 169-171
  4. DOI: 10.1353/dtc.2016.0032
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  1. The Unwritten Grotowski: Theory and Practice of the Encounter by Kris Salata (review)
  2. Dominika Laster
  3. pp. 172-174
  4. DOI: 10.1353/dtc.2016.0033
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  1. Screen Adaptations: Shakespeare’s Hamlet: The Relationship between Text and Film by Samuel Crowl (review)
  2. Laura M. Nelson
  3. pp. 174-176
  4. DOI: 10.1353/dtc.2016.0034
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  1. Books Received
  2. pp. 177-185
  3. DOI: 10.1353/dtc.2016.0035
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