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Table of Contents

  1. Editor’s Note: Fall 2016
  2. Rebecca Rovit
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/dtc.2016.0018
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  1. Boy Actors and Early Modern Disability Comedy in The Knight of the Burning Pestle and Epicœne
  2. Lauren Coker
  3. pp. 5-21
  4. DOI: https://doi.org/10.1353/dtc.2016.0019
  5. restricted access
  1. “Canst thou not minister to a mind diseased”: The Clinical Gaze in the National Theatre of Scotland’s Macbeth
  2. Ian Faith
  3. pp. 23-43
  4. DOI: https://doi.org/10.1353/dtc.2016.0020
  5. restricted access
  1. The Poetry of Madness: Plato’s Ion and the Psychology of Acting
  2. Jeff Kaplan
  3. pp. 45-64
  4. DOI: https://doi.org/10.1353/dtc.2016.0021
  5. restricted access
  1. A Drama of Potentialities—Toward an Ontology
  2. Zornitsa Dimitrova
  3. pp. 65-85
  4. DOI: https://doi.org/10.1353/dtc.2016.0022
  5. restricted access
  1. Mimetic Theory: Rivalry, Violence, Scapegoat—Theatre and Drama through the Lens of René Girard
  2. Matthew Yde
  3. pp. 87-108
  4. DOI: https://doi.org/10.1353/dtc.2016.0023
  5. restricted access
  1. Reflections of Hippolytus: An Examination of Sexuality through Adaptation
  2. Kevin Calcamp
  3. pp. 109-127
  4. DOI: https://doi.org/10.1353/dtc.2016.0024
  5. restricted access
  1. Comparative Modernist Performance Studies: A Not So Modest Proposal
  2. Julia A. Walker, Glenn Odom
  3. pp. 129-153
  4. DOI: https://doi.org/10.1353/dtc.2016.0025
  5. open access
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  1. Shakespeare’s Universality: Here’s Fine Revolution by Kiernan Ryan (review)
  2. Connelly Akstens
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/dtc.2016.0026
  5. restricted access
  1. The Columbia Anthology of Modern Japanese Drama ed. by J. Thomas Rimer, Mitsuya Mori, and M. Cody Poulton (review)
  2. Jyana S. Browne
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/dtc.2016.0027
  5. restricted access
  1. Acting Stanislavski: A Practical Guide to Stanislavski’s Approach and Legacy by John Gillett (review)
  2. Tom Cooper
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/dtc.2016.0028
  5. restricted access
  1. Theatre/Performance Historiography: Time, Space, Matter ed. by Rosemarie K. Bank and Michal Kobialka (review)
  2. Scott R. Irelan
  3. pp. 163-165
  4. DOI: https://doi.org/10.1353/dtc.2016.0029
  5. restricted access
  1. Women Making Shakespeare: Text Reception and Performance ed. by Gordon McMullan, Lena Cowen Orlin, and Virginia Mason Vaughan (review)
  2. Hadley Kamminga-Peck
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/dtc.2016.0030
  5. restricted access
  1. Bigger, Brighter, Louder: 150 Years of Chicago Theater as Seen by “Chicago Tribune” Theatre Critics by Chris Jones (review)
  2. Deborah Kochman
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/dtc.2016.0031
  5. restricted access
  1. Sex and War on the American Stage: Lysistrata in Performance, 1930-2012 by Emily B. Klein (review)
  2. Jenna L. Kubly
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/dtc.2016.0032
  5. restricted access
  1. The Unwritten Grotowski: Theory and Practice of the Encounter by Kris Salata (review)
  2. Dominika Laster
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/dtc.2016.0033
  5. restricted access
  1. Screen Adaptations: Shakespeare’s Hamlet: The Relationship between Text and Film by Samuel Crowl (review)
  2. Laura M. Nelson
  3. pp. 174-176
  4. DOI: https://doi.org/10.1353/dtc.2016.0034
  5. restricted access
  1. Books Received
  3. pp. 177-185
  4. DOI: https://doi.org/10.1353/dtc.2016.0035
  5. restricted access