1. Ossobó: Myth, History, and Intertextuality in Santomean Literature
  2. Jared Staller
  3. pp. 1-20
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  1. Settlers and Laborers: The Afterlife of Indenture in Early South African Indian Writing
  2. Nienke Boer
  3. pp. 21-35
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  1. Runaway Narratives: Structural Experimentation in Leïla Sebbar’s Shérazade
  2. Maury Bruhn
  3. pp. 36-53
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  1. The Real McCloy: Fiction, History, and the Real in Zoë Wicomb’s “The One That Got Away”
  2. David Hoegberg
  3. pp. 54-70
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  1. Entangled Poetics: Apartheid South African Poetry between Politics and Form
  2. Michelle Decker
  3. pp. 71-90
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  1. Bloodhounds at the Gate: Trauma, Narrative Memory, and Melancholia in Ngũgĩ wa Thiong’o’s Memoirs of Wartime
  2. Gĩchingiri Ndĩgĩrĩgĩ
  3. pp. 91-111
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  1. (Re)Fashioning Biafra: Identity, Authorship, and the Politics of Dress in Half of a Yellow Sun and Other Narratives of the Nigeria-Biafra War
  2. Matthew Lecznar
  3. pp. 112-132
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  1. Migration Blues in Jazz Styling: Spinning Them Overlooked Jazz and Blues Numbers in Brian Chikwava’s Fiction
  2. Christopher N. Okonkwo
  3. pp. 152-170
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  1. Mouth with Which the King Curses: Abuse and Departicularization of the Enemy in King Sunny Ade’s Jùjú Music
  2. Ayo Adeduntan
  3. pp. 171-187
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  1. Postcolonial Criticism and Representations of African Dictatorship: The Aesthetics of Tyranny by Cécile Bishop (review)
  2. Kathryn Mara
  3. pp. 188-189
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  1. Gendered Voices from The Gambia by Pierre Gomez, Idalou Ndow (review)
  2. Hassoum Ceesay
  3. pp. 189-191
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  1. Africa’s Narrative Geographies: Charting the Intersections of Geocriticism and Postcolonial Studies by Dustin Crowley (review)
  2. Madhu Krishnan
  3. pp. 192-193
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