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Table of Contents

  1. Keynote Address: Whose Space Is It, Anyway?
  2. Marvin Carlson
  3. pp. 9-20
  4. DOI: https://doi.org/10.1353/tsy.2016.0001
  5. restricted access
  1. The Eyeline of Orestes: Exploring the Dramaturgy of Civic Space in the Greek Theatre
  2. Samuel T. Shanks
  3. pp. 41-52
  4. DOI: https://doi.org/10.1353/tsy.2016.0003
  5. restricted access
  1. “It Told Us What To Do”: The Anthropomorphizing of Theatre Buildings in Contemporary Practice
  2. Lisa Marie Bowler
  3. pp. 53-63
  4. DOI: https://doi.org/10.1353/tsy.2016.0004
  5. restricted access
  1. Wartime Collaboration: Theatrical Space and Power in Conquered Los Angeles
  2. Andrew Gibb
  3. pp. 64-75
  4. DOI: https://doi.org/10.1353/tsy.2016.0005
  5. restricted access
  1. Setting Their Sites on Satire: The Algonquin Round Table’s Non-Theatrical Spaces of Creative Genesis
  2. Christine Woodworth
  3. pp. 76-87
  4. DOI: https://doi.org/10.1353/tsy.2016.0006
  5. restricted access
  1. Struggling to Stage: The Contentious Issue of Theatre Space in Kolkata
  2. Arnab Banerji
  3. pp. 88-98
  4. DOI: https://doi.org/10.1353/tsy.2016.0007
  5. restricted access
  1. “For the Children”: Doyle and Debbie at The Station Inn; or, the Politics of Space in “The Gulch”
  2. Chase Bringardner
  3. pp. 99-112
  4. DOI: https://doi.org/10.1353/tsy.2016.0008
  5. restricted access
  1. (Un)limited: Virtual Performance Spaces and Digital Identity
  2. Alicia Corts
  3. pp. 113-128
  4. DOI: https://doi.org/10.1353/tsy.2016.0009
  5. restricted access
  1. Theatre Symposium 24 Closing Remarks: Sunday, April 12, 2015
  2. Marvin Carlson
  3. pp. 129-137
  4. DOI: https://doi.org/10.1353/tsy.2016.0010
  5. restricted access
  1. Introduction
  2. Becky K. Becker
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/tsy.2016.0000
  5. restricted access
  1. Contributors
  2. pp. 139-141
  3. DOI: https://doi.org/10.1353/tsy.2016.0011
  4. restricted access

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