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  Volume 34, Number 1, Spring 2017

Table of Contents

From the Editor

pp. iii-iv


p. iv


Wayang Kulit Kelantan: A Study of Characterization and Puppets

pp. 1-25

Dramatizing Romance of the Three Kingdoms in Japanese Puppet Theatre: Zhuge Liang’s Military Talk on the Three Kingdoms

pp. 26-47

The Development of Indonesian Modern Theatre: Four Periods of Creativity from 1970 to 2015

pp. 48-74

The Hilarity of Unhappiness in Oh Tae-suk’s Tempest: Cross-Cultural Access and Precolonial/Indigenous Aesthetics

pp. 75-96

Gender and Ethnicity in Indian Classical Dance in Malaysia

pp. 97-121

Ma Xianglan and Wang Zhideng Onstage and Offstage: Rethinking the Romance of a Courtesan Theatre in Ming-Qing China

pp. 122-151

Murder in the Royal Palace: A Four-Act Play by Younghill Kang

pp. 152-168

Founders of the Field

Rachel Cooper

pp. 169-187

Kathy Foley

pp. 188-205

Carol Fisher Sorgenfrei

pp. 206-219

Book Reviews

Teater Atas Pokok (Theatre atop the Tree) by Dinsman (Shamsudin Osman) (review)

pp. 220-225

God Bless Baseball by Okada Toshiki (review)

pp. 226-230

A Midsummer Night’s Dream by Wu Hsing-kuo (review)

pp. 231-235

Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era by Denise Varney, et al. (review)

pp. 236-238

Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre by Mary Mazzilli (review)

pp. 239-242

Street Performers and Society in Urban Japan, 1600–1900: The Beggar’s Gift by Gerald Groemer (review)

pp. 243-246

Onnagata: A Labyrinth of Gendering In Kabuki Theatre by Mari Isaka (review)

pp. 247-249

Javaphilia: American Love Affairs with Javanese Music and Dance by Henry Spiller (review)

pp. 250-252

Books Received

pp. 253-257

Color Insert

pp. Color Insert 1-Color Insert 7