Volume 34, Number 1, Spring 2017

Table of Contents

From the Editor

pp. iii-iv
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Errata

p. iv
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Articles

Wayang Kulit Kelantan: A Study of Characterization and Puppets

pp. 1-25
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Dramatizing Romance of the Three Kingdoms in Japanese Puppet Theatre: Zhuge Liang’s Military Talk on the Three Kingdoms

pp. 26-47
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The Development of Indonesian Modern Theatre: Four Periods of Creativity from 1970 to 2015

pp. 48-74
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The Hilarity of Unhappiness in Oh Tae-suk’s Tempest: Cross-Cultural Access and Precolonial/Indigenous Aesthetics

pp. 75-96
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Gender and Ethnicity in Indian Classical Dance in Malaysia

pp. 97-121
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Ma Xianglan and Wang Zhideng Onstage and Offstage: Rethinking the Romance of a Courtesan Theatre in Ming-Qing China

pp. 122-151
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Murder in the Royal Palace: A Four-Act Play by Younghill Kang

pp. 152-168
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Founders of the Field

Rachel Cooper

pp. 169-187
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Kathy Foley

pp. 188-205
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Carol Fisher Sorgenfrei

pp. 206-219
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Book Reviews

Teater Atas Pokok (Theatre atop the Tree) by Dinsman (Shamsudin Osman) (review)

pp. 220-225
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God Bless Baseball by Okada Toshiki (review)

pp. 226-230
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A Midsummer Night’s Dream by Wu Hsing-kuo (review)

pp. 231-235
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Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era by Denise Varney, et al. (review)

pp. 236-238
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Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre by Mary Mazzilli (review)

pp. 239-242
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Street Performers and Society in Urban Japan, 1600–1900: The Beggar’s Gift by Gerald Groemer (review)

pp. 243-246
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Onnagata: A Labyrinth of Gendering In Kabuki Theatre by Mari Isaka (review)

pp. 247-249
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Javaphilia: American Love Affairs with Javanese Music and Dance by Henry Spiller (review)

pp. 250-252
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Books Received

pp. 253-257
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Color Insert

pp. Color Insert 1-Color Insert 7
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