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In this Issue

Table of Contents

  1. Mad Men’s Serially Falling Man
  2. Mark Sandberg
  3. pp. 4-20
  4. restricted access
  1. In the Nick of Time?: Detective Film Serials, Temporality, and Contingency Management, 1919–1926
  2. Ruth Mayer
  3. pp. 21-35
  4. restricted access
  1. “That Magic Box Lies”: Queer Theory, Seriality, and American Horror Story
  2. Theresa L. Geller, Anna Marie Banker
  3. pp. 36-49
  4. restricted access
  1. Girl Reporters and Cyclic Seriality
  2. Zoë Wallin
  3. pp. 50-66
  4. restricted access
  1. Suspended Animation: Ace Drummond, Buck Rogers, and the Sustained Desires of Seriality
  2. Justin Morris
  3. pp. 67-80
  4. restricted access
  1. Movie Stars and Seriality in the 1910s
  2. Richard Abel
  3. pp. 81-90
  4. restricted access
  1. New Perspectives on Seriality
  2. The Editors
  3. pp. 81-125
  4. restricted access
  1. Early Mystery-Crime Films, Scientific Seriality, and the Imagination of Wonder
  2. Jennifer M. Bean
  3. pp. 90-96
  4. restricted access
  1. Further Thoughts on Play and the Sound Serial
  2. Scott Higgins
  3. pp. 96-99
  4. restricted access
  1. From Recursive Progression to Systemic Self-Observation: Elements of a Theory of Seriality
  2. Frank Kelleter
  3. pp. 99-104
  4. restricted access
  1. Historicizing the Influence of Soap Opera
  2. Elana Levine
  3. pp. 105-109
  4. restricted access
  1. Serialities and Japonisme in Lumière Brothers’ Actuality Films
  2. Daisuke Miyao
  3. pp. 109-113
  4. restricted access
  1. Additionality and Cohesion in Transfictional Worlds
  2. Roberta Pearson
  3. pp. 113-120
  4. restricted access
  1. Thickening Seriality: A Chronotopic View of World Building in Contemporary Television Narrative
  2. Babette B. Tischleder
  3. pp. 120-125
  4. restricted access
  1. Star Trek and American Television ed. by Roberta Pearson, Máire Messenger Davies (review)
  2. Nick Bestor
  3. pp. 126-127
  4. restricted access
  1. Parables of the Posthuman: Digital Realities, Gaming, the Player Experience by Jonathan Boulter (review)
  2. Byron Fong
  3. pp. 128-130
  4. restricted access
  1. Flickers of Film: Nostalgia in the Time of Digital Cinema by Jason Sperb (review)
  2. Peter C. Kunze
  3. pp. 131-132
  4. restricted access
  1. The Poitier Effect: Racial Melodrama and Fantasies of Reconciliation by Sharon Willis (review)
  2. Jacqueline Pinkowitz
  3. pp. 133-135
  4. restricted access
  1. Cycles, Sequels, Spin-Offs, Remakes, and Reboots: Multiplicities in Film and Television by Amanda Ann Klein, R. Barton Palmer (review)
  2. Ramna Walia
  3. pp. 136-138
  4. restricted access
  1. The Fan Fiction Studies Reader ed. by Karen Hellekson, Kristina Busse (review)
  2. Lesley Willard
  3. pp. 139-141
  4. restricted access
  1. Introduction
  2. The Editors
  3. pp. 1-3
  4. restricted access

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Number 78, Fall 2016

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Number 80, Fall 2017