Volume 73, Number 3, March 2017

Table of Contents

Articles

Faceted Vocabularies for Music: A New Era in Resource Discovery

pp. 409-431
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Of Programs and Prima Donnas: Investigating British Music with the Musical Festivals Database

pp. 432-472
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Barney and Gloria: Revisiting Tin Pan Alley

pp. 473-501
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Notes for Notes

Notes for Notes

pp. 502-508
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Book Reviews

Jazz

The Cambridge Companion to Duke Ellington ed. by Edward Green (review)

pp. 509-510
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Listen to This: Miles Davis and Bitches Brew by Victor Svorinich (review)

pp. 510-513
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Musics of the World

The Cambridge Companion to Jewish Music ed. by Joshua S. Walden (review)

pp. 513-516
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Fela: Kalakuta Notes by John Collins (review)

pp. 516-518
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Country and Placemaking

Country Comes to Town: The Music Industry and the Transformation of Nashville by Jeremy Hill, and: Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport by Jonathan R. Wynn, and: Beyond the Beat: Musicians Building Community in Nashville by Daniel B. Cornfield (review)

pp. 518-525
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Placemaking in Europe and America

Reinventing Dixie: Tin Pan Alley’s Songs and the Creation of the Mythic South by John Bush Jones (review)

pp. 525-526
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Music in Vienna, 1700, 1800, 1900 by David Wyn Jones (review)

pp. 526-529
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Radicalism and Capitalism

Radicalism & Music: An Introduction to the Music Cultures of al-Qa’ida, Racist Skinheads, Christian-Affiliated Radicals, and Eco-Animal Rights Militants by Jonathan R. Pieslak (review)

pp. 529-531
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Music and Capitalism: A History of the Present by Timothy Dean Taylor (review)

pp. 531-533
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Form and Theory

Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis by Judy Lochhead (review)

pp. 533-536
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Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno ed. by Steven Vande Moortele, Julie Pedneault-Deslauriers, Nathan John Martin (review)

pp. 536-540
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Medieval Music

Qui musicam in se habet: Studies in Honor of Alejandro Enrique Planchart ed. by Anna Zayaruznaya, Bonnie J. Blackburn, Stanley Boorman (review)

pp. 540-544
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Manuscripts and Medieval Song: Inscription, Performance, Context ed. by Helen Deeming, Elizabeth Eva Leach (review)

pp. 544-547
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Program Music

Understanding the Leitmotif: From Wagner to Hollywood Film Music By Matthew Bribitzer-Stull (review)

pp. 547-550
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Program Music by Jonathan Kregor (review)

pp. 550-552
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Vocal Music

The Operas of Maurice Ravel by Emily Kilpatrick (review)

pp. 552-554
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Hermeneutics of Hymnody: A Comprehensive and Integrated Approach to Understanding Hymns by Scotty Wayne Gray (review)

pp. 554-556
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Musical Instruments

The Guitar in Tudor England: A Social and Musical History by Christopher Page (review)

pp. 556-558
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The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 ed. by Robert Adelson, et al. (review)

pp. 559-561
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Collected Documents

Écrits sur la musique by Jean Cocteau (review)

pp. 561-563
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George Frideric Handel: Collected Documents ed. by Donald Burrows et. al. (review)

pp. 564-565
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Research

Sourcebook for Research in Music by Allen Scott, Phillip D. Crabtree, Donald H. Foster (review)

pp. 565-567
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Books Recently Published

Books Recently Published

pp. 568-575
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New Periodicals

pp. 576-580
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New Media Reviews

Music Magazine Archives: Rock (review)

pp. 581-583
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Music Reviews

The Ferrell-Vogüé Machaut Manuscript by Guillaume de Machaut (review)

pp. 584-587
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I Kyrie di Tr93 ed. by Antonio Chemotti (review)

pp. 587-591
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Ercole Pasquini Toccate, canzoni, ricercari. ed. by Paul Kenyon (review)

pp. 591-595
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Two Operas from the Series Die zween Anton. Part 1: Der dumme Gärtner aus dem Gebürge oder Die zween Anton (Vienna, 1789) ed. by David J. Buch, and: Two Operas from the Series Die zween Anton. Part 2: Die verdeckten Sachen (Vienna, 1789) ed. by David J. Buch (review)

pp. 595-600
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Music Received

Music Received

pp. 601-605
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Index to Advertisers

p. 606
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