restricted access   Volume 50, Number 1, 2017

Table of Contents


Greater Earth: A New Perception of Our Planet

p. 2

Leonardo Gallery

Exhaustion Aesthetics

pp. 5-11

Artists’ Articles

Sounds of Time and Place

pp. 12-19

ArtMaps: A Technology for Looking at Tate’s Collection

pp. 20-26

Artists’ Notes

Conservation Science and Contemporary Art: Thinking about Tenerife

pp. 27-30

Expectations versus Reality of Artificial Intelligence: Using Art to Examine Ontological Issues

pp. 31-35

General Articles

From Goal-Oriented to Constraint-Oriented Design: The Cybernetic Intersection of Design Theory and Systems Theory

pp. 36-41

Facilitating Creative Equality in Art-Science: A Methodological Experiment

pp. 42-46

General Notes

From the Analytical to the Artistic: A Review of Literature on Information Visualization

pp. 47-52

Koffka’s Aesthetic Gestalt

pp. 53-57

Theoretical Perspective

Perceptual Learning, the Mere Exposure Effect and Aesthetic Antirealism

pp. 58-63

Mere Exposure and Aesthetic Realism: A Response to Bence Nanay

pp. 64-66


Conceptual and Aesthetic Dimensions of an ECG/RESP Sensor Artwork

pp. 68-69

CODEX: Mapping Co-Created Data for Speculative Geographies

pp. 70-71

From Softimage to Postimage

pp. 72-73

Structuralizing the Fluxus Way of Life: The Social Network of Fluxus

pp. 74-75

Biokinesis: A Soft Kinetic Architectural Skin

p. 76

The Death and Lives of hitchBOT: The Design and Implementation of a Hitchhiking Robot

pp. 77-78

Special Section: Trust Me, I’m an Artist: Part 2

Molding the Signifier: Codesculpting the Possible Shapes of A Future Consciousness

pp. 80-81

Molding the Signifier by Ivor Diosi: An All-too-Human Victor

pp. 82-83

Heirloom: Living Portraits of and for the Artist’s Daughters Created out of Their Own Cultured Cells

pp. 84-85

Displaying the Researched Body: Growing Cell Portraits in a Medical Museum

pp. 86-87

Special Section: Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 1

Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 1

p. 89

What Public Visualization Can Learn from Street Art

pp. 90-91

Smellmap: Amsterdam—Olfactory Art and Smell Visualization

pp. 92-93

Spatial Correlation: An Interactive Display of Virtual Gesture Sculpture

pp. 94-95

Automatically Generating Animations from Escher’s Images

p. 96

Leonardo Reviews

Leon Golub Powerplay: The Political Portraits by Jon Bird (review)

pp. 97-100

Rituals by Vincent Moon (review)

pp. 100-101

Barnstorming the Prairies: How Aerial Vision Shaped the Midwest by Jason Weems (review)

pp. 102-103

Biocentrism and Modernism ed. by Oliver A.I. Botar and Isabel Wünsche (review)

pp. 103-105

Illegal Literature: Toward A Disruptive Creativity by David S. Roh (review)

pp. 105-106

Writing and Unwriting (Media) Art History: Erkki Kurenniemi in 2048 ed. by Joasia Krysa and Jussi Parikka (review)

pp. 107-108

Selling Digital Music, Formatting Culture by Jeremy Wade Morris (review)

pp. 108-109

The Subject of Aesthetics by Tone Roald (review)

pp. 109-110

Leonardo Reviews Online

p. 110

Leonardo Network News

pp. 111-112


pp. 113-116