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In this Issue

Table of Contents

  1. Contemporary Women’s Voices in French Theatre
  2. Judith Graves Miller
  3. pp. 5-23
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  1. L’Indiade: Ariane’s and Hélène’s Conjugate Dreams
  2. Anne-Marie Picard
  3. pp. 24-38
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  1. Women Writing Across Purposes: The Theater of Marguerite Duras and Nathalie Sarraute
  2. Janice Berkowitz Gross
  3. pp. 39-47
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  1. Feminist Theory and the Problem of Performance
  2. Janelle Reinelt
  3. pp. 48-57
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  1. Mimesis, Mimicry, and the “True-Real”
  2. Elin Diamond
  3. pp. 58-72
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  1. History and Hysteria: Writing the Body in Portrait of Dora and Signs of Life
  2. Ann Wilson
  3. pp. 74-88
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  1. Extremities and Masterpieces: A Feminist Paradigm of Art and Politics
  2. Tracy C. Davis
  3. pp. 89-103
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  1. Locked Behind the Proscenium: Feminist Strategies in Getting Out and My Sister in This House
  2. Patricia R. Schroeder
  3. pp. 104-114
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  1. Realism, Narrative, and the Feminist Playwright – A Problem of Reception
  2. Jeanie Forte
  3. pp. 115-127
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  1. Lillian Hellman’s Watch on the Rhine: Realism, Gender, and Historical Crisis
  2. Vivian M. Patraka
  3. pp. 128-145
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  1. Breaking the Code: Musings on Lesbian Sexuality and the Performer
  2. Jill Dolan
  3. pp. 146-158
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  1. Feminism and Theatre by Sue-Ellen Case (review)
  2. Rosette C. Lamont
  3. pp. 159-161
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  1. The Feminist Spectator as Critic by Jill Dolan (review)
  2. Lynda Hart
  3. pp. 161-163
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  1. Making a Spectacle: Feminist Essays on Contemporary Women’s Theatre ed. by Lynda Hart (review)
  2. L. Patricia Ives
  3. pp. 167-169
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  1. Look Back in Gender: Sexuality and the Family in post-war British Drama by Michelene Wandor (review)
  2. Amelia Howe Kritzer
  3. pp. 169-171
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  1. Pinter’s Female Portraits: A Study of Female Characters in the Plays of Harold Pinter by Elizabeth Sakellaridou (review)
  2. Susan Hollis Merritt
  3. pp. 171-173
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  1. Introduction
  2. Jeannette Laillou Savona, Ann Wilson
  3. pp. 1-4
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  1. Contributors
  2. pp. 174-176
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