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Table of Contents

  1. Signifying Marks and The ‘Not Counted’ Inscriptions of Dave the Potter
  2. Michael A. Chaney
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/arq.2016.0018
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  1. Pitting “Matisse” Against “Picasso”: Gertrude Stein’s Companion Portraits
  2. Laurel Recker
  3. pp. 27-52
  4. DOI: https://doi.org/10.1353/arq.2016.0019
  5. restricted access
  1. Complicity, Restorative Justice, and Charles Brockden Brown’s Arthur Mervyn
  2. David Zimmerman
  3. pp. 53-76
  4. DOI: https://doi.org/10.1353/arq.2016.0020
  5. restricted access
  1. Frank O’Hara Drives Charles Olson’s Car
  2. Joel Duncan
  3. pp. 77-103
  4. DOI: https://doi.org/10.1353/arq.2016.0021
  5. restricted access
  1. The Body-That-Is-Not-One: Exception and Belonging on the US-Mexican Border in The Bridge
  2. Birgit Spengler
  3. pp. 105-136
  4. DOI: https://doi.org/10.1353/arq.2016.0022
  5. restricted access
  1. Race and Trajectories of Addiction in Robert Zemeckis’s Cast Away (2000) and Flight (2012)
  2. Ashleigh Hardin
  3. pp. 137-153
  4. DOI: https://doi.org/10.1353/arq.2016.0023
  5. restricted access
  1. Contributors
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/arq.2016.0024
  5. restricted access