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In this Issue

Table of Contents

  1. Individual Agency and the Studio System: Don Siegel, Montage, and Warner Bros
  2. Ghia Godfree
  3. pp. 4-20
  4. DOI: https://doi.org/10.1353/flm.2016.a643288
  5. restricted access
  1. The Myth of John F. Kennedy in Film and Television
  2. Gregory Frame
  3. pp. 21-34
  4. DOI: https://doi.org/10.1353/flm.2016.a643289
  5. restricted access
  1. Melodrama, Sickness, and Paranoia: Todd Haynes and the Woman’s Film
  2. Linda Belau, Ed Cameron
  3. pp. 35-45
  4. DOI: https://doi.org/10.1353/flm.2016.a643290
  5. restricted access
  1. DADA, Surrealism, and the Cinematic Effect by R. Bruce Elder (review)
  2. Richard John Ascárate
  3. pp. 46-47
  4. restricted access
  1. The French Screen Goddess: Film Stardom and the Modern Woman in 1930s France by Jonathan Driskell (review)
  2. Eilene Hoft-March
  3. pp. 47-49
  4. restricted access
  1. Green Documentary: Environmental Documentary in the 21st Century by Helen Hughes (review)
  2. D.B. Jones
  3. pp. 49-51
  4. restricted access
  1. Dalton Trumbo: Blacklisted Hollywood Radical by Larry Ceplair and Christopher Trumbo (review)
  2. Bernard F. Dick
  3. pp. 51-53
  4. restricted access
  1. Muybridge: The Eye in Motion by Stephen Barber (review)
  2. Clare Brennan
  3. pp. 53-55
  4. restricted access
  1. The Private Eye Detectives in the Movies by Bran Nicol (review)
  2. Zeke Saber
  3. pp. 55-57
  4. restricted access
  1. James Cagney Films of the 1930s by James L. Neibaur (review)
  2. Max Baril
  3. pp. 59-61
  4. restricted access
  1. The Cinema of John Boorman by Brian Hoyle (review)
  2. Zachary Ingle
  3. pp. 61-62
  4. restricted access
  1. Homemade Men In Postwar Austrian Cinema. Nationhood, Genre and Masculinity by Maria Fritsche (review)
  2. Claus Tieber
  3. pp. 62-64
  4. restricted access
  1. Making Cinelandia: American Films and Mexican Film Culture Before the Golden Age by Laura Isabel Serna (review)
  2. Courtney Sanchez
  3. pp. 64-67
  4. restricted access
  1. Akira Kurosawa by Peter Wild (review)
  2. Bryan Mead
  3. pp. 67-68
  4. restricted access
  1. Historical Dictionary of British Cinema by Alan Burton and Steve Chibnall (review)
  2. Kevin M. Flanagan
  3. pp. 68-70
  4. restricted access
  1. The Woman’s Film of the 1940s: Gender, Narrative, and History by Alison L. McKee (review)
  2. Andrée Lafontaine
  3. pp. 70-72
  4. restricted access
  1. Importing Asta Nielsen: The International Film Star in the Making, 1910–1914 ed. by Martin Loiperdinger and Uli Jung (review)
  2. Steven Rybin
  3. pp. 72-74
  4. restricted access
  1. Epic Sound Music in Postwar Hollywood Biblical Films by Stephen C. Meyer (review)
  2. James H. Krukones
  3. pp. 74-76
  4. restricted access
  1. The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film by Yvonne Kozlovsky-Golan (review)
  2. Zachary Ingle
  3. pp. 76-77
  4. restricted access
  1. Cinematic Appeals: The Experience of New Movie Technologies by Ariel Rogers (review)
  2. Amanda Konkle
  3. pp. 77-80
  4. restricted access
  1. The Films of Agnes Moorehead by Axel Nissen (review)
  2. Bernard F. Dick
  3. pp. 80-82
  4. restricted access
  1. The HBO Effect by Dean J. DeFino (review)
  2. Rebecca Weeks
  3. pp. 82-84
  4. restricted access
  1. Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945–1995 by Hugo Frey (review)
  2. Judith Sarnecki
  3. pp. 84-86
  4. restricted access
  1. The Horrors of Trauma in Cinema: Violence Void Visualization ed. by Michael Elm, Kobi Kabalek, and Julia B. Köhne (review)
  2. Jason Crouthamel
  3. pp. 86-89
  4. restricted access
  1. Twentieth Century-Fox: The Zanuck-Skouras Years, 1935–1965 by Peter Lev (review)
  2. Jennifer Frost
  3. pp. 89-90
  4. restricted access
  1. Embrace of the Serpent (El abrazo de la serpiente) dir. by Ciro Guerra (review)
  2. Thomas Prasch
  3. pp. 93-95
  4. restricted access
  1. In the Heart of the Sea dir. by Ron Howard (review)
  2. A. Bowdoin Van Riper
  3. pp. 96-98
  4. restricted access
  1. Adrift (Choơi Vaơi) dir. by Bùi Thạc Chuyên (review)
  2. David J. McCaskey
  3. pp. 99-101
  4. restricted access
  1. Tres instantes, un grito dir. by Cecilia Barriga (review)
  2. Ana M. Aguilera
  3. pp. 101-102
  4. restricted access
  1. Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll dir. by John Pirozzi (review)
  2. Tom Shaker
  3. pp. 102-104
  4. restricted access
  1. Don’t Breathe dir. by Fede Alvarez (review)
  2. John C. Tibbetts
  3. pp. 104-106
  4. restricted access
  1. Hell Or High Water dir. by David MacKenzie (review)
  2. Michael C. Reiff
  3. pp. 106-108
  4. restricted access
  1. The Birth of a Nation dir. by Nate Parker (review)
  2. Matthew C. Hulbert
  3. pp. 108-111
  4. restricted access
  1. Listen to Me Marlon dir. by Stevan Riley (review)
  2. Michael Ray FitzGerald
  3. p. 112
  4. restricted access
  1. Brooklyn dir. by John Crowley (review)
  2. Erwin F. Erhardt III
  3. pp. 113-114
  4. restricted access
  1. BaddDDD: Sonia Sanchez dir. by Barbara Attie, Janet Goldwater and Sabrina Schmidt Gordon (review)
  2. Jannea Thomason
  3. pp. 115-116
  4. restricted access