restricted access   Volume 23, Number 4, November 2016

Table of Contents

Woolf’s Secular Imaginary

pp. 711-731
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Moving Pictures: Magic Lanterns, Portable Projection, and Urban Advertising in the Nineteenth Century

pp. 733-769
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Conrad’s Neuroplasticity

pp. 771-788
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Harlem in Furs: Race and Fashion in the Photography of Gordon Parks

pp. 789-811
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Unfinished Transitions: The Dialectics of Rural Modernization in Latin American Fiction

pp. 813-832
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Sur l’Eau, or How to Read Adorno: Guy de Maupassant and the Negative Dialectic of Utopia

pp. 833-854
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“Cosmopolitan Sympathies”: Poetry of the First Global War

pp. 855-874
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The Modern Synthesis: Genetics and Dystopia in the Huxley Circle

pp. 875-896
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Review Essay

Seeing Complexity and Hearing Laughter in the Harlem Renaissance

pp. 897-904
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Gallery Review

Lee Miller: A Woman’s War by Hilary Roberts (review)

pp. 905-910
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Book Reviews

Poetics of Dance: Body, Image, and Space in the Historical Avant-Gardes by Gabriele Brandstetter (review)

pp. 911-913
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America Dancing: From the Cakewalk to the Moonwalk by Megan Pugh (review)

pp. 913-916
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Dreams of Modernity: Psychoanalysis, Literature, Cinema by Laura Marcus (review)

pp. 916-918
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The Shape of Spectatorship. Art, Science, and Early Cinema in Germany by Scott Curtis (review)

pp. 918-920
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Joyce’s Ghosts: Ireland, Modernism, and Memory by Luke Gibbons (review)

pp. 920-922
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Making History New: Modernism and Historical Narrative by Seamus O’Malley (review)

pp. 922-924
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Excursions into Modernism: Women Writers, Travel, and the Body by Joyce E. Kelley (review)

pp. 924-926
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Sexology and Translation: Cultural and Scientific Encounters Across the Modern World ed. by Heike Bauer (review)

pp. 927-929
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Shadows of Trauma: Memory and the Politics of Postwar Identity by Aleida Assmann (review)

pp. 929-931
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