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Table of Contents

  1. Woolf’s Secular Imaginary
  2. David Sherman
  3. pp. 711-731
  4. DOI: https://doi.org/10.1353/mod.2016.0071
  5. restricted access
  1. Moving Pictures: Magic Lanterns, Portable Projection, and Urban Advertising in the Nineteenth Century
  2. Ellery E. Foutch
  3. pp. 733-769
  4. DOI: https://doi.org/10.1353/mod.2016.0072
  5. restricted access
  1. Conrad’s Neuroplasticity
  2. Nidesh Lawtoo
  3. pp. 771-788
  4. DOI: https://doi.org/10.1353/mod.2016.0073
  5. restricted access
  1. Harlem in Furs: Race and Fashion in the Photography of Gordon Parks
  2. Jesús Costantino
  3. pp. 789-811
  4. DOI: https://doi.org/10.1353/mod.2016.0074
  5. open access
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  1. Unfinished Transitions: The Dialectics of Rural Modernization in Latin American Fiction
  2. Ericka Beckman
  3. pp. 813-832
  4. DOI: https://doi.org/10.1353/mod.2016.0075
  5. restricted access
  1. Sur l’Eau, or How to Read Adorno: Guy de Maupassant and the Negative Dialectic of Utopia
  2. Damien Marwood
  3. pp. 833-854
  4. DOI: https://doi.org/10.1353/mod.2016.0076
  5. restricted access
  1. “Cosmopolitan Sympathies”: Poetry of the First Global War
  2. Jahan Ramazani
  3. pp. 855-874
  4. DOI: https://doi.org/10.1353/mod.2016.0077
  5. restricted access
  1. The Modern Synthesis: Genetics and Dystopia in the Huxley Circle
  2. Jay Clayton
  3. pp. 875-896
  4. DOI: https://doi.org/10.1353/mod.2016.0078
  5. restricted access
  1. Seeing Complexity and Hearing Laughter in the Harlem Renaissance
  2. Adam McKible
  3. pp. 897-904
  4. DOI: https://doi.org/10.1353/mod.2016.0079
  5. restricted access
  1. Lee Miller: A Woman’s War by Hilary Roberts (review)
  2. Beryl Pong
  3. pp. 905-910
  4. DOI: https://doi.org/10.1353/mod.2016.0080
  5. restricted access
  1. Poetics of Dance: Body, Image, and Space in the Historical Avant-Gardes by Gabriele Brandstetter (review)
  2. Michelle Clayton
  3. pp. 911-913
  4. DOI: https://doi.org/10.1353/mod.2016.0081
  5. restricted access
  1. America Dancing: From the Cakewalk to the Moonwalk by Megan Pugh (review)
  2. Carrie J. Preston
  3. pp. 913-916
  4. DOI: https://doi.org/10.1353/mod.2016.0082
  5. restricted access
  1. Dreams of Modernity: Psychoanalysis, Literature, Cinema by Laura Marcus (review)
  2. Jacqueline Shin
  3. pp. 916-918
  4. DOI: https://doi.org/10.1353/mod.2016.0083
  5. restricted access
  1. The Shape of Spectatorship. Art, Science, and Early Cinema in Germany by Scott Curtis (review)
  2. Janina Wellmann
  3. pp. 918-920
  4. DOI: https://doi.org/10.1353/mod.2016.0084
  5. restricted access
  1. Joyce’s Ghosts: Ireland, Modernism, and Memory by Luke Gibbons (review)
  2. Andrew Gibson
  3. pp. 920-922
  4. DOI: https://doi.org/10.1353/mod.2016.0085
  5. restricted access
  1. Making History New: Modernism and Historical Narrative by Seamus O’Malley (review)
  2. Adam Meehan
  3. pp. 922-924
  4. DOI: https://doi.org/10.1353/mod.2016.0086
  5. restricted access
  1. Excursions into Modernism: Women Writers, Travel, and the Body by Joyce E. Kelley (review)
  2. Stacy Burton
  3. pp. 924-926
  4. DOI: https://doi.org/10.1353/mod.2016.0087
  5. restricted access
  1. Shadows of Trauma: Memory and the Politics of Postwar Identity by Aleida Assmann (review)
  2. Susanne S. Cammack
  3. pp. 929-931
  4. DOI: https://doi.org/10.1353/mod.2016.0089
  5. restricted access