1. “The mind / is listening”: Aurality and Noise Poetics in the Poetry of William Carlos Williams
  2. Seth Forrest
  3. pp. 63-80
  4. DOI: 10.1353/wcw.2016.0015
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  1. Linguistic Transformation as Counter-Hegemonic Operation in Kora in Hell and Spring and All
  2. Elin Käck
  3. pp. 81-100
  4. DOI: 10.1353/wcw.2016.0016
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  1. The Impersonal Is Political: On the Living Theatre and William Carlos Williams’s Many Loves
  2. Eric Keenaghan
  3. pp. 101-127
  4. DOI: 10.1353/wcw.2016.0017
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  1. Williams, Nostalgia, and Modernity
  2. Sarah Posman
  3. pp. 128-146
  4. DOI: 10.1353/wcw.2016.0018
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  1. “Animal Spirits”
  2. Peter Schmidt
  3. pp. 147-171
  4. DOI: 10.1353/wcw.2016.0019
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  1. “I found another to admire”: The Thing of the Female Body in William Carlos Williams’s Medical Narratives
  2. Kate Schnur
  3. pp. 172-188
  4. DOI: 10.1353/wcw.2016.0020
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  1. Technology and the Rise of the Vernacular Object in William Carlos Williams’s Spring and All
  2. Avery Slater
  3. pp. 189-205
  4. DOI: 10.1353/wcw.2016.0021
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  1. Desperate Measures: Williams’s “new line” and the Poetical Economy of Paterson
  2. Oliver Southall
  3. pp. 206-236
  4. DOI: 10.1353/wcw.2016.0022
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  1. “This is all beyond you”: Transgression and Creative Force in the Early Love Poems of William Carlos Williams
  2. Stephanie Spong
  3. pp. 237-257
  4. DOI: 10.1353/wcw.2016.0023
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  1. Introduction: The New Williams
  2. Jen Hedler Phillis, Neri Sandoval
  3. pp. 1-17
  4. DOI: 10.1353/wcw.2016.0012
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